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This one does. Oda has been deconstructing Wano's culture since Punk Hazard; pretty much every bad trait of it has been challenged at some point. For him to close this arc with propaganda that embodies the opposite to the core messages of his story is weird at least. As of now, a country with...

Wano has been portrayed as a racist, xenophobic, sexist, rancorous, persecutory, murderous, death-fetichist country; Orochi, who was haunted by citizens to the point of growing terrified, ends up looking like the good guy here. Funnily enough Oda made it sure to challenge every crappy ideal in...