Best Manga/Anime Villain Round 1 Bracket 2

TOP 6 VILLAINS HERE?


  • Total voters
    35
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Light D Lamperouge

𝕴𝖓 𝕿𝖍𝖎𝖘 𝖂𝖔𝖗𝖑𝖉 𝕺𝖓𝖑𝖞 𝕴 𝖆𝖒 𝕶𝖎𝖓𝖌
#1
IMPORTANT: THIS TIME THERE WILL BE NO FIGHTS. YOU WILL SIMPLY VOTE FOR YOUR TOP 6 CHOICES HERE. PLEASE TRY TO USE UP ALL 6 VOTES. THANKS.


THE BRACKET



Eren Yeager – Attack on Titan
Eren Yeager’s transformation from righteous hero to ambiguous antagonist exemplifies the tragedy of an idealist crushed by the weight of history. His passionate fury against Titans begins as survival instinct, but evolves into a grim vision: freedom at any cost. That unyielding drive makes him sympathetic and terrifying, as he becomes willing to sacrifice innocents—blurring moral clarity and compelling the audience to question what heroism really means.


Eren’s growth becomes a metaphor for the corruption of purpose. His hard-earned strength—physical and ideological—leads him down a path where liberation becomes annihilation. By shedding the innocence of youth and claiming god-like power, Eren forces viewers to examine the price of agency: is self-determination worth global devastation? His decline from the embodying hope to catalyzing genocide makes him feel disturbingly real.


Ultimately, Eren remains the axis of the story’s tragic grandeur. His choices fracture alliances and give birth to heated debates about war, memory, and hate. He’s not just a villain—he’s a mirror that reflects humanity’s endless dance with cycles of freedom, vengeance, and unintended atrocity.



VS



Younger Toguro – Yu Yu Hakusho
Younger Toguro defines the classic idea of “villain with conviction.” His imposing physique and brutal strength match a warrior's instinct—and his philosophy is brutally honest: strength is everything, and weakness is contemptible. Unlike malevolent dictators or chaotic maniacs, Toguro seeks the ultimate fight, pushing the notion of personal limits to biting clarity.


But it’s his paradoxical depth that truly elevates him. Behind the monstrous transformation lies a soul haunted by guilt, driven by a futile desire to protect loved ones. When he allows Yusuke to strike the final blow, it’s as much liberation as defeat—relief from his own existential despair. That final duel isn’t just heroic—it's tragedy.


His departure leaves a legacy that lingers. Toguro’s championship of strength as the only currency resonates far beyond his arc. In the series’ later reflections, his duel with Yusuke becomes a benchmark for true willpower—an emotional touchstone for other characters trying to understand their own purpose.



VS



Griffith – Berserk
Griffith’s villainy is defined more by betrayal than conquest. He starts as the ultimate aspirational hero—a charismatic leader whose dream of his own kingdom is matched only by his courtly elegance. His rise through Guts’ Band of the Hawk inspires devotion, romance, and legends. That makes his eventual betrayal, aimed at achieving godhood at any cost, gut-wrenchingly potent.


The Eclipse event, where Griffith sacrifices his comrades to ascend into Femto, cements his darkness. His choice sacrifices personal relationships and humanity in pursuit of transcendence. That single, horrifying moment fractures the golden promise he once represented, and forever intoxicates the audience with his cold ambition.


Yet Griffith doesn’t vanish into evil archetype. Even after the eclipse, he remains painfully human—flawed, charming, caught between destiny and horror. Guts’ war with him—love turned vengeance—captures the heartbreak of dreams realized but at grotesque cost. Griffith doesn’t just win or lose—he tears the very world around him apart.




VS



Ulquiorra Cifer – Bleach
Ulquiorra is defined by his icy void—his mask fragment, green eyes, and detached voice reflect a soul untouched by warmth. He acts as Aizen’s perfect soldier: analytical, efficient, seeming to lack any drive beyond logic. That stoicism makes every flicker of emotion—a shout, an anguished scream—all the more haunting.


His final battle with Ichigo is the emotional core of his arc’s tragic power. Though he scoffs at the concept of the heart, Ichigo’s desperate plea and grief-broken scream gesture at a possibility of feeling. In losing to that humanity, Ulquiorra allows himself to feel, if only for an instant. It shows that even the most chilling villain can long for connection.


His death—alone, on a broken ledge, whispering his closing line about love—not only humanizes him, but redefines defeat. He didn’t fall because he was out-fought; he falls because he felt. Ulquiorra’s tragedy lingers long after the credits roll, leaving a void shaped as much by emotion as by power.




VS



Shima Tetsuo – Akira
Tetsuo’s terror lies in his transformation—from vulnerable kid to untouchable god. After gaining psychic powers, he spirals into megalomania and torment, exposing how unfettered power warps identity. His body mutates grotesquely, mirroring his fractured sense of self and uncontrollable rage.


His rise is a metaphor for uncontrolled upheaval—power unleashed before understanding invites apocalypse. Tetsuo's clash with Kaneda isn’t just fist versus fist, it's innocence vs ambition. The more he struggles to assert identity, the more he dissolves into raw power, until sanity and form unravel alike.


In the end, Tetsuo’s collapse into raw energy leaves Tokyo—and the audience—devastated. His final transcendence questions creation and annihilation: when the boundless becomes meaningless, what remains? Tetsuo isn’t simply defeated; he becomes a force—an enigma of destruction and rebirth.



VS



Galaxia – Sailor Moon
Galaxia rules as the Sailor Galaxy Spirit incarnate—a villain whose power is cosmic and whose ambition shakes the universe. Once the Sailor Guardian of highest rank, she's become corrupted by Chaos, disillusioned with love and sacrifice. That fall from grace adds layers: she’s not evil born, but a hero twisted.


Her collisions with the Sailor Guardians are moral as well as physical. Galaxia’s lectures on despair, loneliness, and cosmic injustice force the protagonists to defend the value of life and hope. Each battle is a debate as much as a spectacle, weaving Renaissance-level thematic stakes.


In the climax, losing herself to rage and cosmic burden, Galaxia becomes more tragedy than villain. Her undoing emerges from deep within—understanding, compassion, and the smallest hope—reminders that even when light is buried, it isn't extinguished. Her final redemptive echo makes her one of Sailor Moon’s most poignant antagonists.



VS



Millions Knives – Trigun
Knives’ menace is existential. As Vash’s genetic twin, he questions the core ethics Vash champions. To him, humanity is worthless—a resource to be culled. That makes every mercy Vash grants not just naive, but existentially defiant in the face of his nihilism.


His power is frighteningly casual: genocide-level destruction delivered with a shrug. Knives embodies a cold, clinical calculation. Every accident, every massacre—it's all a statement about what he sees as inevitable. There is no chaos, only his own logic applied absolutely.


His final confrontation with Vash is a philosophical deathmatch: no explosion, no spectacle—just two brothers standing over the wreckage of their ideology. Knives isn’t slain by bullets but by the refusal to hate, proving the absolute villain can be undone by love and conviction. It's intimate, final, and devastating.


VS


Estarossa – Seven Deadly Sins
Estarossa begins as a mysterious and terrifying member of the Ten Commandments, known for his eerie calm and overwhelming power. As the Commandment of Love, he projects a chilling presence, unable to be harmed by those who feel hatred. His obsession with Elizabeth and his descent into madness make him one of the manga's most unpredictable threats.


The twist—that Estarossa is actually Mael, a fallen Archangel whose identity was altered by a powerful spell—completely reframes his role. His instability, self-hatred, and confusion all stem from this forced identity and the trauma of living a lie. Rather than pure evil, Estarossa becomes a tragic figure shaped by war and manipulation.


This duality makes him one of the most complex villains in Seven Deadly Sins. He isn’t just a powerful enemy—he’s a symbol of how identity, memory, and emotion can be weaponized. His arc blends tragedy and horror in a way that lingers long after his final battle.




VS



Jinx – Arcane
Jinx is pure chaos incarnate. Once Powder, carrying only hopes and dreams, her transformation into Jinx makes her into a weapon fueled by trauma. Her spiral isn’t linear—it’s jagged, unpredictable, and hilarious even as it breaks hearts.


What separates her is emotional realism. She’s charismatic, funny, and erratic—her voice games between innocence and ruthlessness. Moments like “Jinx! Jinx! Jinx!” grow catchy, but her breakdowns crack the screen. We laugh, we fear, then we mourn her in the same beat.


By the finale, Jinx isn’t evil—she’s trauma personified. Her violence demands response, not forgiveness. And yet, without empathy, she’s lost. That tragic unwillingness to heal makes her not just a great villain—but a heartbreaking one.




VS



Sirius Romanée‑Conti – Re:ZERO
Sirius stands as one of Re:ZERO’s coldest ideologues. Clergy and executioner, she pursues Sanctuary’s version of justice with iron conviction. Her presence is clinical—prayers before slaughter, sermons before punishment. That mixture of piety and cruelty makes her judgment unsettling.


She believes firmly in absolutes: sin must be punished, guilt answered through suffering. And she forces every character to face their own darkness—Ram, Roswaal, Subaru himself. She embodies the theme that redemption isn’t given—it’s earned at terrible personal cost.


Despite serving as an enemy, Sirius isn’t irredeemably twisted. Her faith is genuine, her purpose absolute. Her ideological glacialness forces protagonists to question the value of mercy vs order. She is less a tyrant than an immovable force, and breaking her requires more than swords—it demands altering hearts.



VS



Ryofui – Kingdom
Ryofui rules with calculus, not charisma. As chief strategist, he meticulously balances alliances, threats, and betrayals to further Qin’s grip. He’s hardly visible on the front lines, yet his decisions sculpt entire campaigns—making him a specter guiding the ebb and flow of war.


He is heartless about casualties—every life is a variable. But his criticism is incisive: he doesn’t cheer at corpses; he grieves alongside calculations. His emotional complexity lies in admitting guilt, yet still pushing forward. Qin’s expansion under him is not golden light, but a bloody inevitability.


What makes Ryofui compelling is that he knows war gives no heroes. He is both catalyst and realist, grieving the cost while pressing on. His arc challenges the romanticism of battle and asks if history is written by gods, kings—or cold logic.



VS



King Zahard – Tower of God
As Tower's founding apex, Zahard embodies the world's hierarchical core: power preserved above all. He ushers survivors in with promises of ascension—only to lock them into contracts that cement inequality. His reign is brutal harmony: efficient, merciless, unquestioned.


But Zahard’s strength is also his melancholy. He's lonely, jaded, aware of the armor he wears. His moments of vulnerability—his fascination with Bam, the rare act of mercy—expose the human he buries beneath legend. That sliver of self-awareness complicates his despotism.


Zahard is the immovable wall every climber must shatter. He doesn’t just guard the end—he is the end. His failures and fears shape the Tower’s morality and hierarchy. Challenging him requires more than power; it demands redefining what ascent means. That makes Zahard less a villain than the genesis of the story’s fundamental struggle.
 
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Light D Lamperouge

𝕴𝖓 𝕿𝖍𝖎𝖘 𝖂𝖔𝖗𝖑𝖉 𝕺𝖓𝖑𝖞 𝕴 𝖆𝖒 𝕶𝖎𝖓𝖌
#2
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#6
I remember typing this out about Knives from Trigun MAXIMUM a while ago.
From series I have read, Knives from the manga Trigun and Trigun MAXIMUM stands out to me. He is not exactly iconic and would probably count as obscure.

His entire character parallel and his interactions with Vash are interesting.
After an event that affected both of them, Vash had close bonds and maintained positive interactions with humans, while Knives did not. This lack of interaction caused Knives to become completely detached from all sentient beings and to not develop as a person.

While Vash grew as a person, Knives only grew in power thus creating a stark difference between them in which Vash utilizes his skill with human weaponry and subtle tactics whereas Knives is brute force and primal cunning.

Ultimately, for all of Knives’ cunning and intelligence, he is almost childlike in the simplicity of his goals and his reasoning for desiring them.
Crivvens, a 2019 post. That is a while ago. :risisweat:
 

Light D Lamperouge

𝕴𝖓 𝕿𝖍𝖎𝖘 𝖂𝖔𝖗𝖑𝖉 𝕺𝖓𝖑𝖞 𝕴 𝖆𝖒 𝕶𝖎𝖓𝖌
#18
Jinx and Silco's inclusion was kinda questionable I am ngl, but I allowed some FF dudes as well, and had to ask the same users 3 times to pick different chars since their choices were selected already so we kinda rolled with it. :mrgo:
 
#19
He is. I'm the one who nominated him.

As much as Knives is the primary antagonist and Legato his devoted subordinate, Legato is the one who pushes Vash's morals to its limit more than any other character.
What is unique from the Legato-Vash-Knives dynamics is really the rock-paper-scissors elements of their powers.

Legato's wires are strong against Vash's guns.

Vash's guns are strong against Knives' knives.

Knives' knives are strong against Legato's wires.

And you're right in that Legato pushed Vash's moral limits the furthest. Actually, I think Legato is also the one who pushed Vash the hardest in actual fight since he is the only one who made Vash go Dark Stampede. Knives never even came close.
 
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