Best Manga/Anime Villain Round 2 Bracket 3

TOP 4 VILLAINS HERE?


  • Total voters
    23
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Light D Lamperouge

𝕿𝖍𝖊 𝕲𝖗𝖊𝖆𝖙 𝕶𝖎𝖓𝖌 𝖔𝖋 𝕿𝖊𝖗𝖗𝖔𝖗
#1
IMPORTANT: THIS TIME THERE WILL BE NO FIGHTS. YOU WILL SIMPLY VOTE FOR YOUR TOP 4 CHOICES HERE. PLEASE TRY TO USE UP ALL 4 VOTES. THANKS.


THE BRACKET




Tyki Mikk – D.Gray‑Man
Tyki is a contradiction on legs: charming, carefree, almost bubbly in demeanor—but beneath lies a merciless Akuma. His split nature—loving family one moment, committing genocide the next—makes him unnerving. You can’t pigeonhole him; that instability is his threat.


What makes Tyki compelling is his self‑reflected guilt. He doesn’t deny what he does; he relishes it—yet seems ever torn. That ever‑shifting internal state keeps both the audience and Allen (his principal adversary) off-balance. Tyki is villainy as performance art.


His fight scenes—minimum words, maximum chaos—mirror his philosophy. He doesn't preach, he doesn't explain. He simply exists. Especially in the standoff with Allen, Tyki becomes a moral foil who forces the hero to ask how far empathy can—or should—extend toward the enemy. That gripping instability cements Tyki as a great villain.



VS


Riboku – Kingdom
Riboku is a tactician without peer, a man whose brilliance on the battlefield is rivaled only by his commitment to protecting his homeland. As one of the greatest generals in Kingdom, he is not a villain in the traditional sense—he is an antagonist shaped by circumstance, ideology, and geopolitical survival.


Riboku stands in opposition to the unification dream of Qin, but not out of pride or ambition. He sees the long game—the cost of empire, the loss of identity, and the suffering left in conquest’s wake. His intelligence is matched by a rare empathy for the people he defends, making his clashes with Qin’s leaders a battle not just of might but of morality.


He represents resistance to the idea that might makes right. In Riboku, we find a complex figure whose role as antagonist challenges the reader to reconsider the cost of progress and the value of tradition in the face of unstoppable change.



VS



Bondrewd – Made in Abyss
Bondrewd is one of the most unsettling villains in anime—not because he’s outwardly cruel, but because of how cheerful he is while committing atrocities. A scientist obsessed with understanding the Abyss, Bondrewd performs inhumane experiments on children, all while smiling and calling them his “beloveds.” His charisma makes his evil even more unbearable.


What makes Bondrewd horrifying is how he justifies his actions. He truly believes he’s pushing humanity forward, sacrificing a few for the greater good. He treats the pain and death of others as necessary footnotes in his pursuit of knowledge.


Bondrewd’s villainy is cold, clinical, and chillingly optimistic. He represents scientific ambition without morality, and his upbeat demeanor in the face of tragedy makes him one of the most disturbing figures in modern anime.




VS



Dio Brando – JoJo’s Bizarre Adventure
Dio Brando is the quintessential power-hungry villain. From the moment he enters the Joestar household, he seeks dominance—first through manipulation, then through immortality. What makes Dio so compelling is his ability to turn raw hatred into unstoppable ambition. He doesn’t just want to win—he wants to prove he’s better than everyone, forever.


His transition from cunning nobleman to godlike vampire is both theatrical and terrifying. Dio thrives on spectacle, but never lacks intelligence. He gathers followers, corrupts ideals, and twists fate itself around his iron will. Whether it’s with fangs, fists, or The World, Dio always leaves an impact—both on his enemies and the viewer.


Dio’s legacy stretches across generations, not just because of his actions, but because of what he represents: the arrogance of someone who believes the world exists to be conquered. He isn’t just evil—he’s magnetic, unforgettable, and utterly unapologetic in his desire to rule.



VS



Naraku – Inuyasha
Naraku is Inuyasha’s archetype of crafted evil—a villain born from human sin, parasitic and patient. Once a small bandit, he becomes a half-demon after gathering human souls, using them to create a monstrous crystal body. From then on, he orchestrates chaos: manipulating Kagome’s feelings, slaying friends, and pushing Inuyasha and his allies to constant war.


What makes him enduring is his cunning. Naraku rarely fights alone; he uses deceit, illusions, and puppetry to do it for him. He infiltrates, corrupts, and destroys from within, thriving on gradual ruin. He corrupts pure souls, warps innocent intentions, and preys on longing—revealing evil born not from hate, but from sadistic calculation.


His downfall is as inevitable as the tension he’s built. Each victory is hollow, each fluctuation of loyalty tainted by his lies. He stands as the living proof that had evil taken form, it would wear a friendly face—trusting misery wrapped in charm.




VS



Father – Fullmetal Alchemist
Father, the Homunculi’s progenitor, begins life as a droplet of philosopher’s stone hidden beneath a church. As he gains body and purpose, he treats humans as material—tools, resources, fuel. His ambition is divine: to absorb God, reshape reality, and transcend suffering born of the Creator himself.


His power is near absolute: combining alchemy with immortality, building homunculi armies, and manipulating nations. Yet beneath that, his true villainy lies in his ideology. He seeks to erase human imperfection through forced symmetry—even as his own arrogance poisons him. He believes perfection deserves to be mandated.


Father’s fall is profound, a cosmic tragedy reflected in ground-level horror. His obstacle course of genocide and betrayal forces the protagonists—and audience—to confront darker truths: the power entwined with creation, and the limits of seeking divine control.



VS


Orochimaru – Naruto
Orochimaru is one of Naruto's most iconic and terrifying villains. A former member of the Legendary Sannin and a once-respected ninja, Orochimaru’s thirst for immortality and forbidden knowledge leads him to betray his village and pursue dark, twisted experiments. His obsession with the unknown and his pursuit of ultimate power, regardless of the cost, is what defines him as a villain.


What makes Orochimaru so chilling isn’t just his power—it’s his intellectual curiosity and disregard for human life. He’s willing to perform grotesque, forbidden jutsu, manipulating and experimenting on humans in the name of personal growth. His ability to shed bodies and live beyond death adds a layer of horror, making him an ever-present and persistent threat.


Orochimaru’s cold, calculating nature and lack of moral boundaries make him a formidable foe. His evil is rooted in his selfish desire for knowledge, immortality, and control. His transformation from a beloved ninja to a twisted villain serves as one of the series' most tragic, yet terrifying, developments.




VS


Gilgamesh – Fate Franchise
Gilgamesh is everything that defines epic villainy: divine arrogance cloaked in golden charisma. He openly measures the world against his own worth and—as the King of Heroes—finds it lacking. His contempt drips from his words, his posture, and even his weapon drawings, making him both contemptuous and awe‑inspiring.


But Gilgamesh is more than ego: he embodies the fatal tension of Fate’s themes. His apocalyptic plan to reclaim humanity by burning all that’s questionable into his Perfect World Order resonates—and terrifies—because it’s so unapologetic. He's not insane; he's resolute. That clarity of purpose gives him a strange, magnetic allure.


Whether as a ruler, guide, or conqueror across timeline iterations, Gilgamesh consistently defines himself by his self‑awareness. He is who he is—refined, perfect, unstoppable—and that consistency across adaptations makes him feel mythic. Though he never changes, he forces others to change around him—or be crushed under the weight of perfection.

 

Light D Lamperouge

𝕿𝖍𝖊 𝕲𝖗𝖊𝖆𝖙 𝕶𝖎𝖓𝖌 𝖔𝖋 𝕿𝖊𝖗𝖗𝖔𝖗
#2
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Rej

Holy Simp
#3
People don't realize how fearsome Bondrewd is.

Spoilers for the movie:
The most fearsome thing about his character and how he is written; it's actually the fact that he outlived his defeat and the viewer is left in uncertainity whether he continues or finds redemption. That's the crazy shit about the resolution of his arc. He is such a twisted motherfucker and that's also the twisted writing alongside it.

10/10 masterpiece.

He should be in the finale alongside Petelgeuse and some classic villains.
 
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