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A critic that is completely biased by his close New York context isn't a critic but a sheep without personal criteria nor expertise. When I speak of an individual capable of objectifying their analysis I mean a person actually cultured on the topic and therefore with greater perspective. Sure...

Also, we can still objectify many almost (sometimes absolute) universal standards for artistic creation. Literary oxymoron works the same in any language since it's about a structure of wording, structural crossmodal correspondences are related to brain processing of stimuli, primary metaphors...

Because I didn't say it's entirely objective but that it can be objectified to certain degrees; because I'm not thinking of vague groups like "New York Critics" but individual analysts with solid approaches (New York nor Cali nor Paris nor Tokyo nor Barcelona nor whatever city you may think of...

The whole discussion on popularity versus quality is almost always summarized by the majority of people being tasteless ignorants who will be fed crap and will accept it happily because they don't know better; which can be applied to almost any domain, in fact. We aren't born cultured in...