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Because he's the author and his style choice isn't random. A (proper) piece of artistic work is a gestalt made of congruent parts; the moment you take liberties to significantly alter any of those parts you will disbalance the whole. Which is why The Hobbit by Jackson, Lolita by Kubrick and many...

Gimmicky = making up that Zoro gets surrounded by a purple aura while his eye shines in red before running an unreal distance between Kamazou and him and executing a cut that chops the environment into cubes that will disappear like if nothing happened the moment everything becomes normal again...

The samurai showdown in Kurosawa's Sanjuro looks way more like a Zoro finisher Oda would do than any supersonic aura that cuts the environment into cubes that Toei may make up.

Cheap in the sense that I don't think they make the material far more visually effective but gimmicky. It is the animation equivalent of a casino full of lights and sounds. It has nothing to do with the actual attack. It is like adding bolts of lightning coming out of nowhere and hitting the...

I also don't like the redundancy of the animation. What should be a straight, fast move becomes a curved snake and later an arm whose fingers are highlighted in an unnecessary and even anti-chlimatic way. Now that we're speaking of that kind of style, and going for another animator (this may...

I'm getting really tired of these cheap effects. I recall how cringy it was to see King Kobra turning into an actual kobra made of whatever energy that was, or the blurriness in Luffy attacking Kaido with Gear Third that wouldn't even let the spectator enjoy the actual art of the images. Not...