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Whiskey Peak happened twenty years ago and wasn't even an all out fight but a clash full of gags. Instead of using an irrelevant scuffle clearly not meant to be taken as decisive at anything, better use actual, definitive arc versus in which Luffy has gotten a consistently stronger opponent than...

Yes, but we saw him lifting the island while in base, not dragon form, so he can access dragon powers without transforming. No basis for mythical models lacking an hybrid form just like any other zoan.

Or that Hybrid Kaido > Base Kaido > Dragon Kaido. Or that Kaido has mastered his fruit to the point he doesn't need to turn into the dragon to have some of his abilities. Or that eating the fruit saved his life because he could leave God Valley flying, regenerate his wounds or something like...

But this holds no base. Kaido is tanky as hell in human form, to the point that Luffy went from Gear Third to Fourth in order to face it, and we've seen that he maintains abilities from his dragon power without transforming (I mean, he just lifted Onigashima with clouds while in base). Oda has...

I'm not saying that it's an easy feat, I'm saying it is far from being as impressive as it was before his clash with the Scabbards. It's something achievable by anybody with advanced armament as it depends on a specific skill, whether weaker, as strong or stronger than Sanji; no Candyboy, or...

Hurting Kaido lost its weight the moment Kin'emon, Raizo and company could wound him to the point of screaming with ease.

It's clear to me that Kaido isn't simply recalling the people who can fight him but those who, by personal reasons, left a deeper impact. I highly doubt this confirms anything about Big Mom or Shanks, it's just that Oden happened to leave a psychological scar in the character apart from the...

Just imagine Bepo was in the rooftop: Zoro: "Don't get in my way, Kamazou." Zoro remebers him from his laugh. Killer replies him while he prepares his blades called "Punisher". Killer: "If I'd had these blades back then, you'd have been dead." Zoro: "The result would still be the same." Bepo:

Good ol' off screen, man! Because we all enjoy not seeing things!

Yeah, characters and situations that are funny and quirky to begin with. How Luffy enjoys clowning with his "creative" ideas, Ivankov likes to misguide others and so on doesn't justify that, out of the blue, the most serious and the most sociopathic Supernovas both perform the "ha!" face in the...

The process of learning how to cut fire during a fight versus King would have been an interesting callback to Bonez and could have held emotional impact with small flashbacks of Zoro spending time and training with Kin'emon as the latter is by then defeated and in the verge of death because of...

"Was always like that" is an empty statement, hence why I asked you for a list of examples supporting that Oda indeed tends to generalize the same clownings to very different characters in terms of personality (some of them not even funny, like Law and Kid) in contexts of direct risk from the...

Can you exemplify a regular pattern of gags during fights that aren't idiosyncratic and equally reach characters of significantly different personalities and attitudes towards clowning in combat? 1610575472 But those three admirals were ultimately aware of Luffy's trick and as soon as he moved...

The problem I see with this gag in particular is that it reaches Law and Kid too, and even for Luffy, who has been a clown in many fights, it feels a bit forced and very little idiosyncratic. Regarding my first point, Law is edgy and pretentious, too serious for that reaction, and Kid is a...

You are asking too much to a community that knows next to nothing about anything relevant to reading a visual story. Empty hooligan-like confrontations on "power levels" is the only thing achievable by too many individuals because everybody can do it.

So we had the plot of Zoro learning how to cut fire and creating a fire sword completely off-screened, that's... certainly... entertaining, not seeing things :few: