The baiting Room
- Thread starter Bogard
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- Tags #mihawk top 1 #read csm #read pandora hearts #read record of ragnarok #zoro bodies your fave all hail peroroncino all hail redon sama black hair evil sanji d stands for deez nuts fool summary pls hentai warning jinbe>zolo>lanji no fake spoilers pero's un color sucks read kengan ashura read ravages of time sanji has no coc sanji okama sanji:abandon your stupid dreams
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*king does a diable jambe hinting at sanji vs king*
everyone noooooo that didn’t happen in the manga toei what are doing?
*they animate zoro vs killer*
everyone toei good now i like the anime
everyone noooooo that didn’t happen in the manga toei what are doing?
*they animate zoro vs killer*
everyone toei good now i like the anime
Cobra: Remeber when King did Diable Jamble and Sanji was going to face King. Plus King is a swordsman
No, because that was a narrative pushed by sanji fans for no reason.
maybe 1% (im being quite generous) of Non Sanji/Zoro fans believe that Sanji will fight King. Because it aint gonna happen and THATS THE BOTTOM LINE
Imagine use anime scene in powerscsaling as evidence in debate lol...the moment its deviate even a little from manga its not valid...so next time use manga panel as evidence...
Cut the bullshit.
Imagine use anime scene in powerscsaling as evidence in debate lol...the moment its deviate even a little from manga its not valid...so next time use manga panel as evidence...
N
Oda made Vivre Card and Vivre Card is published by Shueisha. So it's canon.
For anime:
Toei's anime version of One Piece, by far the most prominent adaptation of the manga, is correspondingly the largest source of mistaken (or debatable) canon. Though not as divergent as most other anime adaptations of long-running manga, the One Piece anime has still altered, rearranged, expanded, and occasionally removed material from virtually every section of the manga; for his part, Oda has stated that he participates little in anime production beyond supplying concept art.
From SBS volume 21 chapter 194 page 164
Here's the summary:
O: Ahem. I've been receiving a ton of questions about the anime so I'm going to tell you how much I'm involved in it, to either answer those questions or just to let you know.
1. First of all, what I MUST tell you is that I am a manga artist so I don't make anime. What I can do is help out with the character designs for anime-original episodes. Nothing major. So basically, the One Piece world I've created in my manga is entrusted to others to be adapted in the anime.
2. And so, while on that topic, I want to introduce to you... "THE" UDA KOUNOSUKE! You'll see his name in every episode during the opening credits roll. He's listed as the "Series Director". That's basically "head director". Pretty cool, eh? "Head director". (DOOON!).
3. For the OP anime, there are 7 directors including Uda-san that take turns making episodes because you can't make a 30-minute episode in just one week. Every episode's director is listed at the end of the ending credits. And the person who organizes all of their work is, you guessed it, THE UDA KONOSUKE (whistle!).
4. If his opinions and mine do not meet, Luffy instantly ceases to be Luffy and the world becomes entirely different. Even if I create the most heart-wrenching moment in the manga, if the anime's "directing" is wrong, it becomes a forgettable scene. But the reason that doesn't happen, and in fact, becomes even more memorable in the anime, is thanks to Uda-san and his crew of Director-Fighters, for understanding the world of OP so well and their directing skills.
5. By "directing", I'm talking about music, sfx, voice acting and character expressions, so I'm truly grateful to all the people involved in the anime. Oh, by the way, my very own editor Habu-yan does the "scenario checking".
6. All in all, what I really wanted to point out were the credits that you audience probably ignore. There are a lot of hard working people on those credit rolls, and it'd be nice if you could become familiar with some of those names as well.
7. I know I made him sound very formal earlier, but Uda-san is really a cool, friendly man. Sometimes when I have a meeting with the anime staff, I go out and have lunch or dinner with Uda-san and the producers (they're fun, too). Usually though, I just leave the anime work up to them and enjoy it as a viewer, just like all of you do. I even cry sometimes.
8. And that concludes this SBS. See you next volume.
For anime:
Toei's anime version of One Piece, by far the most prominent adaptation of the manga, is correspondingly the largest source of mistaken (or debatable) canon. Though not as divergent as most other anime adaptations of long-running manga, the One Piece anime has still altered, rearranged, expanded, and occasionally removed material from virtually every section of the manga; for his part, Oda has stated that he participates little in anime production beyond supplying concept art.
From SBS volume 21 chapter 194 page 164
Here's the summary:
O: Ahem. I've been receiving a ton of questions about the anime so I'm going to tell you how much I'm involved in it, to either answer those questions or just to let you know.
1. First of all, what I MUST tell you is that I am a manga artist so I don't make anime. What I can do is help out with the character designs for anime-original episodes. Nothing major. So basically, the One Piece world I've created in my manga is entrusted to others to be adapted in the anime.
2. And so, while on that topic, I want to introduce to you... "THE" UDA KOUNOSUKE! You'll see his name in every episode during the opening credits roll. He's listed as the "Series Director". That's basically "head director". Pretty cool, eh? "Head director". (DOOON!).
3. For the OP anime, there are 7 directors including Uda-san that take turns making episodes because you can't make a 30-minute episode in just one week. Every episode's director is listed at the end of the ending credits. And the person who organizes all of their work is, you guessed it, THE UDA KONOSUKE (whistle!).
4. If his opinions and mine do not meet, Luffy instantly ceases to be Luffy and the world becomes entirely different. Even if I create the most heart-wrenching moment in the manga, if the anime's "directing" is wrong, it becomes a forgettable scene. But the reason that doesn't happen, and in fact, becomes even more memorable in the anime, is thanks to Uda-san and his crew of Director-Fighters, for understanding the world of OP so well and their directing skills.
5. By "directing", I'm talking about music, sfx, voice acting and character expressions, so I'm truly grateful to all the people involved in the anime. Oh, by the way, my very own editor Habu-yan does the "scenario checking".
6. All in all, what I really wanted to point out were the credits that you audience probably ignore. There are a lot of hard working people on those credit rolls, and it'd be nice if you could become familiar with some of those names as well.
7. I know I made him sound very formal earlier, but Uda-san is really a cool, friendly man. Sometimes when I have a meeting with the anime staff, I go out and have lunch or dinner with Uda-san and the producers (they're fun, too). Usually though, I just leave the anime work up to them and enjoy it as a viewer, just like all of you do. I even cry sometimes.
8. And that concludes this SBS. See you next volume.
- Status