You’re missing the point. This isn’t about polishing for months vs cranking out weekly pages, it’s about fundamentals of drawing. A naturally talented artist doesn’t need months to understand trajectory, depth, and spatial clarity. Even in rough sketches or scribbles, the forms still read properly. Hara’s problem isn’t effort, it’s that his work consistently flattens out. That’s a flaw in how he constructs scenes.
Weekly Togashi produces scribbles, weekly Hara produces misaligned raindrops.
"Ooohhhhhh!!! Those scribbles have such depth and trajectory!!!"
A really nice scribble is still a feckin scribble.