One Piece Episode 1127 - Luffy vs. Kizaru! A Fierce Kaleidoscopic Battle
- Thread starter RobertoTheOharaSurvivor
- Start date
So luffy fans tell me luffy is okay a guy like 15 feet tall Hux alien warrior rip nami , Ussop zoro , sanji head off with six arm thorns in 1 second because luffy use gear 5 and didn’t show advanced coc.
yep that what is oda tell - like luffy is okay with Saturn try to Bonney because luffy can get up any time because plot reason.
‘Btw same Kizaru attack luffy crew like he choke Ussop.
yep that what is oda tell - like luffy is okay with Saturn try to Bonney because luffy can get up any time because plot reason.
‘Btw same Kizaru attack luffy crew like he choke Ussop.
You are just objectively wrong.
Keiichi Ichikawa did become the chief animation director for One Piece during WCI, which explains a part of the general improvement in art quality throughout that arc.
However, there were barely any notable action animators on WCI.
Sure, you had the animation supervisors occasionally step up deliver a nice scene, or you had a handful of guests, both animators and animation directors like Masami Mori(who animated on two episodes) and Naotoshi Shida(who animated two major scenes), and Noboru Koizumi(my OG goat, who handled two episodes) showing up once or twice, but most of the notable action scenes in WCI were handled by 5 or so animators.
Those were namely, Yoshikazu Tomita, Katsumi Ishizuka and Tu Yong Ce, with other animators like Dennis Cablao, or Yoichi Mitsui occassionally delivering a noteworthy scene.
That was literally it.
The pool for actual animation talent in WCI was tiny. Most of the notable moments in that arc was the same handful of animators delivering over and over again.
That fundamentally changed in Wano.
In Wano, not only did we retain the old staff, the series also became gradually more and open to accepting foreign and fan animators on the series(one could argue with mixed results).
The general talent pool for the series exploded exponentially. Early on, those consistent animators from WCI continued to be pretty consistent, but as animators like Tu Yong Ce and Katsumi Ishizuka moved onto other roles, there were a metric fuck ton of guest or other animators to fill their place.
For example, Tu Yong Ce is a Chinese animator, and as he graduated to animation supervisor, a ton of Chinese animators joined the staff.
The regular list exploded with really big names in the industry that previously did not both with One Piece, or did not handle terribly big scenes. We had animators like Shuu Sugita, Takashi Kojima, Bahi JD, Yen BM, Akihiro Ota and Masami Mori at least infrequently being semi-regular contributors.
Shida went from a fairly once off animator in WCI, to appearing the most consistently he ever did in Wano.
With all this new animation talent, the series actually began to have "high priority" episodes that were actually consistent with what you would expect animation wise from a high quality seasonal series. That simply, did not happen before Wano with literally the exception of Snakeman vs Katakuri in 870.
So yeah, the animation did improve dramatically. It wasn't just them making the lines bolder or the colours brighter, it was the injection, slowly, over time, over a massive surplus of talented animators working on the series.
High profile guest animators went from a pretty rare event, to something that occurred every other episode. There is also the massive injection of new talent working on the series. Animators who are literally just starting out their professional careers being given chances to shine(which is its own can of worms, but generally, the results on screen have been positive, even if behind the screen there is drama).
Your analysis is not based on the actual reality of the production of the series.
You are just objectively wrong.
Keiichi Ichikawa did become the chief animation director for One Piece during WCI, which explains a part of the general improvement in art quality throughout that arc.
However, there were barely any notable action animators on WCI.
Sure, you had the animation supervisors occasionally step up deliver a nice scene, or you had a handful of guests, both animators and animation directors like Masami Mori(who animated on two episodes) and Naotoshi Shida(who animated two major scenes), and Noboru Koizumi(my OG goat, who handled two episodes) showing up once or twice, but most of the notable action scenes in WCI were handled by 5 or so animators.
Those were namely, Yoshikazu Tomita, Katsumi Ishizuka and Tu Yong Ce, with other animators like Dennis Cablao, or Yoichi Mitsui occassionally delivering a noteworthy scene.
That was literally it.
The pool for actual animation talent in WCI was tiny. Most of the notable moments in that arc was the same handful of animators delivering over and over again.
That fundamentally changed in Wano.
In Wano, not only did we retain the old staff, the series also became gradually more and open to accepting foreign and fan animators on the series(one could argue with mixed results).
The general talent pool for the series exploded exponentially. Early on, those consistent animators from WCI continued to be pretty consistent, but as animators like Tu Yong Ce and Katsumi Ishizuka moved onto other roles, there were a metric fuck ton of guest or other animators to fill their place.
For example, Tu Yong Ce is a Chinese animator, and as he graduated to animation supervisor, a ton of Chinese animators joined the staff.
The regular list exploded with really big names in the industry that previously did not both with One Piece, or did not handle terribly big scenes. We had animators like Shuu Sugita, Takashi Kojima, Bahi JD, Yen BM, Akihiro Ota and Masami Mori at least infrequently being semi-regular contributors.
Shida went from a fairly once off animator in WCI, to appearing the most consistently he ever did in Wano.
With all this new animation talent, the series actually began to have "high priority" episodes that were actually consistent with what you would expect animation wise from a high quality seasonal series. That simply, did not happen before Wano with literally the exception of Snakeman vs Katakuri in 870.
So yeah, the animation did improve dramatically. It wasn't just them making the lines bolder or the colours brighter, it was the injection, slowly, over time, over a massive surplus of talented animators working on the series.
High profile guest animators went from a pretty rare event to something that occurred every other episode. There is also the massive injection of new talent working on the series. Animators who are literally just starting out their professional careers being given chances to shine(which is its own can of worms, but generally, the results on screen have been positive, even if behind the screen there is drama).
Your analysis is not based on the actual reality of the production of the series.
Keiichi Ichikawa did become the chief animation director for One Piece during WCI, which explains a part of the general improvement in art quality throughout that arc.
However, there were barely any notable action animators on WCI.
Sure, you had the animation supervisors occasionally step up deliver a nice scene, or you had a handful of guests, both animators and animation directors like Masami Mori(who animated on two episodes) and Naotoshi Shida(who animated two major scenes), and Noboru Koizumi(my OG goat, who handled two episodes) showing up once or twice, but most of the notable action scenes in WCI were handled by 5 or so animators.
Those were namely, Yoshikazu Tomita, Katsumi Ishizuka and Tu Yong Ce, with other animators like Dennis Cablao, or Yoichi Mitsui occassionally delivering a noteworthy scene.
That was literally it.
The pool for actual animation talent in WCI was tiny. Most of the notable moments in that arc was the same handful of animators delivering over and over again.
That fundamentally changed in Wano.
In Wano, not only did we retain the old staff, the series also became gradually more and open to accepting foreign and fan animators on the series(one could argue with mixed results).
The general talent pool for the series exploded exponentially. Early on, those consistent animators from WCI continued to be pretty consistent, but as animators like Tu Yong Ce and Katsumi Ishizuka moved onto other roles, there were a metric fuck ton of guest or other animators to fill their place.
For example, Tu Yong Ce is a Chinese animator, and as he graduated to animation supervisor, a ton of Chinese animators joined the staff.
The regular list exploded with really big names in the industry that previously did not both with One Piece, or did not handle terribly big scenes. We had animators like Shuu Sugita, Takashi Kojima, Bahi JD, Yen BM, Akihiro Ota and Masami Mori at least infrequently being semi-regular contributors.
Shida went from a fairly once off animator in WCI, to appearing the most consistently he ever did in Wano.
With all this new animation talent, the series actually began to have "high priority" episodes that were actually consistent with what you would expect animation wise from a high quality seasonal series. That simply, did not happen before Wano with literally the exception of Snakeman vs Katakuri in 870.
So yeah, the animation did improve dramatically. It wasn't just them making the lines bolder or the colours brighter, it was the injection, slowly, over time, over a massive surplus of talented animators working on the series.
High profile guest animators went from a pretty rare event, to something that occurred every other episode. There is also the massive injection of new talent working on the series. Animators who are literally just starting out their professional careers being given chances to shine(which is its own can of worms, but generally, the results on screen have been positive, even if behind the screen there is drama).
Your analysis is not based on the actual reality of the production of the series.
Post automatically merged:
You are just objectively wrong.
Keiichi Ichikawa did become the chief animation director for One Piece during WCI, which explains a part of the general improvement in art quality throughout that arc.
However, there were barely any notable action animators on WCI.
Sure, you had the animation supervisors occasionally step up deliver a nice scene, or you had a handful of guests, both animators and animation directors like Masami Mori(who animated on two episodes) and Naotoshi Shida(who animated two major scenes), and Noboru Koizumi(my OG goat, who handled two episodes) showing up once or twice, but most of the notable action scenes in WCI were handled by 5 or so animators.
Those were namely, Yoshikazu Tomita, Katsumi Ishizuka and Tu Yong Ce, with other animators like Dennis Cablao, or Yoichi Mitsui occassionally delivering a noteworthy scene.
That was literally it.
The pool for actual animation talent in WCI was tiny. Most of the notable moments in that arc was the same handful of animators delivering over and over again.
That fundamentally changed in Wano.
In Wano, not only did we retain the old staff, the series also became gradually more and open to accepting foreign and fan animators on the series(one could argue with mixed results).
The general talent pool for the series exploded exponentially. Early on, those consistent animators from WCI continued to be pretty consistent, but as animators like Tu Yong Ce and Katsumi Ishizuka moved onto other roles, there were a metric fuck ton of guest or other animators to fill their place.
For example, Tu Yong Ce is a Chinese animator, and as he graduated to animation supervisor, a ton of Chinese animators joined the staff.
The regular list exploded with really big names in the industry that previously did not both with One Piece, or did not handle terribly big scenes. We had animators like Shuu Sugita, Takashi Kojima, Bahi JD, Yen BM, Akihiro Ota and Masami Mori at least infrequently being semi-regular contributors.
Shida went from a fairly once off animator in WCI, to appearing the most consistently he ever did in Wano.
With all this new animation talent, the series actually began to have "high priority" episodes that were actually consistent with what you would expect animation wise from a high quality seasonal series. That simply, did not happen before Wano with literally the exception of Snakeman vs Katakuri in 870.
So yeah, the animation did improve dramatically. It wasn't just them making the lines bolder or the colours brighter, it was the injection, slowly, over time, over a massive surplus of talented animators working on the series.
High profile guest animators went from a pretty rare event to something that occurred every other episode. There is also the massive injection of new talent working on the series. Animators who are literally just starting out their professional careers being given chances to shine(which is its own can of worms, but generally, the results on screen have been positive, even if behind the screen there is drama).
Your analysis is not based on the actual reality of the production of the series.
One Piece episode 1127 will go down in history, people that worked on it say that Goofy was playing and that Kizaru is a swordsman at his best on top of Lucci saying that you need to be a certain level of strength to be an emperor's strongest subordinate which directly compares 10% Zoro to a fleet admiral candidate. 
