- Put every characters in a png + alpha mask
- Make them all black (the color black) like that:
- Check how many characters there are in each arcs and place all characters on the timeline on the moment of their first appearance (try to find a way to compensate the growing number of character to be fair and have something homegenous)
- Ask for multiple casual fan who are caught up (or not depending on where they are in the story) to tell you which character is which.
- When a majority call the right character, keep the character on the timeline, if they don't, remove the character.
- Look how many characters are left on the time line and make a quick compensation on the number
and voila.
You will know - approximately - if Oda improved or not his character design.
Character design is not about who looks the coolest, or the most badass.
Character design have only two purpose :
- To make a character instantly recognizable
- To make you understand very easily the mindset of the character.
And the best way to understand how good character design works (just as it is the best way to start learning about character design) is to use silhouets
In Manga, this is primordial, when you have to make a character recognizable is the most tiny space, you need to be sure that your audience will know who it is and since you can't draw details, you need great shapes.
Character design is not about who looks the coolest, or the most badass.
Character design have only two purpose :
- To make a character instantly recognizable
- To make you understand very easily the mindset of the character.
And the best way to understand how good character design works (just as it is the best way to start learning about character design) is to use silhouets
In Manga, this is primordial, when you have to make a character recognizable is the most tiny space, you need to be sure that your audience will know who it is and since you can't draw details, you need great shapes.
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