But we agree that it IS how he portrays women, what he does for the guys isn’t the topic at hand. We can split hairs about how often he falls back on the same cliches, but the bottom line remains that he’s not an expert when it comes to writing for ladies (not that he has to be, let’s just call a spade a spade) and doesn’t seem to be creating fully fleshed representatives for the segment of his audience composed of same. The first word in my original post indicated I don’t think he’s misogynistic; I’m saying that’s immaterial because he still doesn’t write women as well as he does men, regardless of the reason.
Also, you did hit the nail on the head with that last bit…they’re the protagonists, so at least the women on the crew have better backstories and motivation, but that’s two characters in a) a ten-person crew, and b) a series with a hundred new faces with every arc change, not the best ratio by this measure.
Ratio?
2 women out of 11 main characters?
Yonko? 1 woman out of 7 (a stereotyped "mom" trope).
Admirals? 0 women (unless you count Tsuru, who doesn't any a third of the hype Garp and Sengoku get).
Shichibukais? 1 woman out of 10 characters. (stereotype "uses beauty as her weapon. Also falls madly in love with MC).
Supernovas? 1 woman out of 11 characters.
But surely Oda is a "equal rights" kind of guy, and not someone who, like tons of other people, reproduces the values of a misogynist world.
Which is kinda funny when you think about the fact that, the very idea of "shounen", "shoujo", etc, are enforcing stereotypical values of men and women having different "natural" tastes instead of fed ones, while also ignoring that a HUGE chunk of OP's fanbase consists in a female audience despite that.
But I digress. Surely Kuina will become the strongest sword user in the world and prove that a woman can be stronger than guys.
Wait....