Questions & Mysteries One Peace (My mega theory covering just about everything)

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Intro
Hello, Alexis2282AE here. Like many, I love theorizing about One Piece and have posted some other long, in-depth theories/discussions here before. Like any crazed One Piece theorist, I have a theory about the treasure and the history of the world. If you’re into folklore, mythology and how they shape this wonderful story, you’re in for a fun (and long) read. No really, this is going to be long. I thank you for your time in advance and I hope you enjoy it. This theory surpasses the character limit of WorstGen, so it will be continued in a comment chain.

The post will touch on the following:
  • Luffy and Roger’s dream, the concept of inherited will and its relation to the treasure
  • The true history of the world - this will be a lot including but not limited to:
  • Joy Boy
  • The meaning of “D”
  • Devil Fruit origins
  • The history the government seeks to erase
  • The location of the One Piece
  • The “Actual” treasure that exists
Before we start I’d like to refresh a few things we know about the One Piece from those who have been there:
So without further ado…

One Peace
The One Piece is just...one giant party (you’ve probably heard this before but bear with me). Throughout this series, there is one constant nearly everywhere we go - Luffy and the SH crew have a celebration, whether they are friend or foe or something in between:
No matter where he goes, or who he’s with, Luffy (and the SH crew) have the power to bring people happiness and unity. May it be Giants, Dwarves, Shandians and Skypieans, Fishmen, Amazons, Marines, Pirates, common folk, literal wild animals, etc. Luffy celebrates with them all.

Laugh Tale, and the location of the One Piece, will be the site of what was supposed to be the biggest party of them all. “One Peace” if you will, a place meant to unite the world’s species and celebrate as equals. Included at the location of Laugh Tale is a huge brew of the rarest drink in the world as well...Binks Sake. Which is why Roger decided to name the final island Laugh Tale, in homage to the final line of the tune known by all pirates.

I believe the one known as “Joy Boy” had a dream of uniting the world under a common cause and it involved hosting the biggest party in the world meant for everyone. Prior to this dream coming to fruition, the group currently known as the World Government stopped this from ever happening after a huge conflict and erased the shady history that led to their ascent.

Luffy’s Dream and Inherited Will
Chapter 1000 naturally renewed a lot of discussion of the infamous scene of when Luffy told his dream to Ace and Sabo as a kid.

Gol D. Roger also seemingly had this same dream as seen during the Oden flashback, with this scene that heavily parallels it.

I believe that Joy Boy, Roger, and Luffy all shared a similar dream: “I want to be the man to throw a party for the whole world!”

Why I think this dream fits:

One of our biggest hints about the dream is the reactions of the people who hear it. Ace and Sabo are initially in disbelief, Sabo then laughs and wants to know how Luffy will be in the future while Ace remains in disbelief. Similarly, when Roger tells Whitebeard and Oden his dream, they are also in disbelief. Whitebeard asks if he is a child but Oden was also drawn in by his words.

I think some form of “I will be the one to throw the biggest party for the entire world” would elicit these reactions.

It is both a little shocking and initially silly, hence the reactions of Ace and Whitebeard. However, for Oden, someone who spent their entire life in a nation with closed borders and desperately wanted to see the world, this sort of dream would seem amazing and relatable to him.

I think Garp said it best when he and Luffy were reunited the first time in Water 7:

I want to take this quote and think about it in the context of the very first chapter when Shanks said the same thing (yes, we’re going back to the beginning for this).

It's in these series' of panels where I think Luffy forms his dream. Luffy is absolutely enamored with the Red Hair crew while they are partying and they tell Luffy the following things: Pirates always have a good time, the sea is vast and there's lots of islands to explore, and most importantly (in bold) pirates have FREEDOM!!

We’re reminded of this in one of the more famous dialogues in the series, when Luffy meets Rayleigh. Luffy tells Rayleigh he will not conquer anything, as the Pirate King is simply the one who is most free on the seas. This answer gives Rayleigh a smile, as it is something very similar Roger once said to Shiki in Chapter 0.

What does being King of the Pirates mean to Luffy? Being the most free.

What does being the most free mean? Well Luffy learned it from Shanks' crew. The most free pirates would be the ones that have the best times in all the islands around the world.

Therefore, Luffy’s mission is to travel to the end of the world and find the One Piece because that would make him King of the Pirates, and the most free on the sea. To Luffy, he can’t throw the biggest party until he’s crowned Pirate King, the only one befitting to throw such a party.

Along with the Straw Hat that has been inherited from Roger -> Shanks -> Luffy this “inherited will” of spirit has been handed down as well.

From the little we have seen of Roger, his crew celebrated much like Luffy's! Rayleigh even mentions when they first meet that Roger was always extravagant both in banquets and battles. We only get a few chapters of Roger but from what we see he celebrates everywhere! Even with his rivals! Shanks then inherits this will and conducts his pirating the same way:
He celebrates everywhere much like we see with our beloved SH crew. We then see Luffy enamored by that same lifestyle in the very first chapter, and as I detailed with all of the parties in the intro, he lives it to the fullest by partying and having a good time everywhere he goes -- the most free on the seas...a tale of inherited will.

So when we revisit that famous scene where Luffy exclaims his dream I believe it is something to the effect of: “I’m gonna be the man that throws the biggest party for the whole world!” We see both Roger and Luffy exclaim this dream while sharing sake. The One Piece will be the sharing of drinks with members of everyone in the world with the greatest brew known to man, Binks Sake. I believe that this same dream started over 800 years ago with the one known as Joy Boy. Except it was not a party for the sake of a party, but had important implications for the world, now let's uncover the truth...

Deciphering the true history of The World

So the question becomes, why the hell was this Joy Boy dude trying to throw a party? And what does that have to do with the World Government, void century, etc. Oden’s flashback made it very clear that the lost history of the world was also located on Laugh Tale. I think there exists a “master poneglyph” of sorts that covers everything. Pieces of this info are scattered around the world, but I think it will also exist in its entirety at Laugh Tale. However, I think we can piece together the true history by exploring some of the shared motifs between cultures in One Piece. Oda is known to have taken a lot of inspiration from real cultures for the races within his story, by looking deeper into those cultures can we learn anything more? My methodology in trying to uncover the truth involves exploring the shared symbols among the folklore that Oda draws from for his story and trying to find commonality amongst them to construct the lost truth. There are two symbols in particular I want to focus on:
  • The Moon - We are going to look at some cultures in One Piece who place an importance on the moon and what else ties them together
  • Serpents/Dragons - We’ll explore the symbol of the serpent/dragon that shows up throughout One Piece, as well as real life folklore - namely the concept of the World Snake or Cosmic Snake common in cultures throughout the world.
Note - I group serpent and dragon together because historically they are very interchangeable in various mythological and folk stories.
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The Moon(s)

The first shared symbol that I want to explore is The Moon.

The very first and most important detail I want to highlight is that there were once at least 7 moons that orbited the One Piece planet and in the present there only exists one.

This assertion comes from the globe that is present in the Tree of Knowledge owned by the Ohara scholars. Since they are considered the greatest source of history, I think it is safe to assume there is some accuracy in their model. However there only exists a single moon in our world now. We are going to explore this history by peering into some cultures within the One Piece world.

There are a few cultures within One Piece that place a great cultural importance on the moon:

  • The Sky people, whose ancestors come from the Moon that remains
  • The Minks, who draw great latent power from the full Moon
  • The Royal families of Wano (minus Kurozumi) all contain the kanji for Moon (月) in their titles. Additionally, the crescent moon in particular serves as an important symbol
  • The waning crescent was the phase present on the night of Toki’s prophecy, it was also on her kimono in her introduction. It then became a symbol of hope for the Kozuki faithful for 20 years.
  • The waxing crescent is the symbol worn by Kozuki Oden and his Nine Retainers, the samurai who would help usher in the new era 20 years later.
  • It is worth noting the poetic nature of this. The phase between the waning and waxing crescent is the new moon, when the moon is pitch black and cannot be seen easily. Earlier I mentioned Kurozumi was the only family without moon in their name. Kurozumi means black coal, which is what the new moon looks like in the sky above.
All three of these cultures who have ties to the moon have also shown a priority of preserving the true history of the world via the Poneglyphs. The Kozuki are the creators of the poneglyphs and both the Minks and the Shanidans dedicated themselves to protecting them. This likely makes them allies of the D in the past and the enemies of the World Government.

I believe in the past these four cultures (D, Wano, Mink, Shandian), along with the Fishmen, represented one side of a great conflict that we will explore shortly. The other side of course being the 20 kings who established the World Government, the victors.

The most glaring and direct connection to the moon in One Piece are the various races of the Sky Islands who we know are descendants of the remaining moon.

It is in Enel’s cover story where we get a short summary of their history. The people of the moon once had a prosperous civilization but ran out of resources and had to move to “The Blue Planet” in order to survive.

I believe this story of the Sky people having to leave their home moon for the Blue Planet is similar for the other 6 moons we see in Ohara’s model as well. The sky people are simply the most recent to leave their moon and make their home on the Blue Planet and the other moons no longer exist.

So where are the other six moons that are present in Ohara’s model? This is answered by exploring our second shared symbol - The Serpent. (Buckle up)

The Serpent

Throughout the story we can find many instances of cultures along the Grand Line sharing a reverence for serpents/dragons even though they are largely isolated from each other:
While the serpent/dragon symbol is ubiquitous in the world, there are four groups in particular (as well as their real world inspirations) I want to focus on when discussing the serpent:
  • The sky people, who revered the serpents as Gods - they migrated from the remaining moon, although much of their history is lost to them.
  • The Giants of Elbaf, whose lives span many centuries and are only a couple generations removed from the void century
  • Alabasta, who was once aligned with the World Government, but is no longer within their graces.
  • The Celestial Dragons, the current ruling class, and their rejection of the serpent. They currently sit atop the world as “gods” and label their enemies as “devils”
Like the Giants of Elbaf, the Shanidans also draw some inspiration from real cultures. The architecture in particular is very Mayan-like, while their Warriors and name seem to draw some Filipino/Indonesian/Southeast Asian influence, such as their likeness to Datu Lapu Lapu of Filipino folklore and the Asmat of Indonesia who like the Shandians were largely isolated until recently. And the name Shandora is based off of the Sanskrit word Chandra which means Moon - where they once came from.

Oda actually draws directly from some Indonesian serpent folklore in Skypiea when Luffy mistakes the serpent Nola for a cave. This is inspired by the story of Jaka Linglung - the giant serpent who eats some young boys after they mistook the serpent for a cave.

Can we look at any other stories of serpents in Southeast Asian folklore to learn something? In trying to figure out why there is only one moon when there were once seven there is one serpent story that really stood out. Within Filipino folklore there is a story of the Bakunawa - The serpent who eats 6 of the 7 original moons, summarized here (emphasis mine):

To keep the moons from completely being swallowed by the Bakunawa, ancient Filipinos would go out of their homes with pans and pots, and would make noise in order to scare the Bakunawa into spitting out the moon back into the sky. Some of the people in the villages would play soothing sounds with their musical instruments, in hopes that the dragon would fall into a deep sleep. Thus, the brave men of the village hoped that while the dragon was hypnotized by the musical sounds they could somehow slay the dragon. Although the dragon was known as a "moon eater" it was also known as a "man eater".

Others tell how the Bakunawa fell in love with a human girl in one of the native tribes. The head of the tribe found out about their affair and had their house burned to ashes. The Bakunawa, finding out about this, became immersed in anger and tried to take revenge by eating all the 7 moons. When the Bakunawa was about to eat the last one, the supreme god took action and punished the Bakunawa by banishing it from its home away from the sea. It also tells that the reason for the eclipses is how the Bakunawa is trying to come back to its home and deceased family.

Some Filipino elders believe that Bakunawa is a moving island with communities mounted on its back, and that there are two classifications: the flying Bakunawa and the land Bakunawa.

The people of the sky island both place cultural importance on snakes, who they once revered as Gods, and the moon, a land of endless Vearth which they originally come from. However, much like how the reason they protected the poneglyph eroded, the importance of the moon and the snake lost their true meaning over time. It wasn’t until Enel traveled to the Moon did we learn that's where they once came from.

Since the Shandians already have some Filipino and Southeast Asian influence in their culture, can we derive anything from this Filipino legend of the Bakunawa to figure out just why they revered snakes as Gods in the first place?

We know they came from the moon, and we learned in Ohara there were once seemingly 7 moons. Does this story of the snake who ate the other 6 moons shed light onto the true history that's been erased, and why we only have one now? Does this carving of the serpent emerging from the water have a connection to their reverence for serpents after they relocated from the moon? Is this the reason we literally enter Shandora - a city named after the moon through the mouth of a serpent? The sky people were perhaps only the most recent to settle on The Blue Planet, and with their no entry policy in the past and now their society being isolated in the sky, pieces of truth remain in their culture.

But before we take off running with this Giant Serpent theory, let us explore it’s possibility within other cultures in One Piece, starting with The Giants of Elbaf and their Norse influence.

I bring you back to what Dorry and Brogy said on Little Garden: As they slay a being known as an “island eater” with a single attack they remark there is one being they can’t pierce “The serpent in blood”.

What is bigger than an “island eater”, a monster that even the Giant Warriors of Elbaf claim they cannot pierce? A moon eater. Many believe that the “serpent soaked in blood” is just a metaphor for The Red Line and it is...kind of.

Surely if such a beast existed, that even the mightiest of warriors couldn’t harm, we would notice it. So where the hell is this giant “Serpent soaked in blood”?

As noted earlier, the Giants of Elbaf are heavily inspired by Norse mythology. Within Norse mythology there are two interesting stories about Serpents - Jörmungandr (“huge monster”) and Níðhöggr (“curse striker”).
  • Jörmungandr was a serpent who was tossed into the ocean by Odin and who grew so large that it surrounded the planet and grasped its own tail. It is said when it releases its tail Ragnarok will begin, the ending of the World where the planet will be submerged under water.
  • Níðhöggr the “curse striker” was a giant serpent who dwelled under the ground that coiled around and gnawed at the roots of Yggdrasil, the mighty tree that surrounded the world.
An illustration of all this can be seen here. Nidhogg wrapped around the roots of Yggdrasil, Jormungandr biting its own tail in the water, and one more thing I’d like to point out at the top of the tree that will become relevant later is the unnamed eagle that sits atop it. It battles the serpent Nidhogg, the root eater, in a clash that represents balance.

The Giants live for hundreds of years and are only a couple of generations away from the void century, because of this I believe remnants of the truth remain in their culture, just like the sky people.

If the “Serpent Soaked in Blood” is also inspired by Norse mythology like a lot of Elbaf’s culture then I think it is inspired by a combination of the two serpents Jörmungandr and Níðhöggr.

“The Serpent soaked in blood” of Elbaf legend is the same Serpent depicted in the entrance to Reverse Mountain, on the Moon, and under Alabasta. I believe it is currently trapped in The Red Line, the structure that snakes around the world and reconnects to itself, drawing parallels to Jörmungandr, the serpent who grew so large it bit its own tail.

(And if this concept of the reconnecting serpent sounds familiar, it's actually how the currents in One Piece are described by Franky on the way to Fishman Island, a dragon biting its own tail.)

While there is no single world tree like Yggdrasil, there is something very similar in the One Piece world - The Sunlight Tree Eve and the Treasure Tree Adam. We know the Sunlight Tree Eve is located at one end of The Red line, next to Fishmen Island. I predict that Adam is on the other side of the world, near the end of The Grand Line, the two trees being on polar opposites would mirror Yggdrasil, seen here. In sticking with the Norse inspiration, we actually do see a glimpse of a massive tree on Elbaf, which we have yet to reach. I believe this is part of the Adam tree.

This is where the Níðhöggr story comes into play. In Norse mythology Níðhöggr or “curse striker” is the serpent underground who has coiled around and bitten into the roots of Yggdrasil. I believe this may explain the source of the Devil Fruit Power.

The Serpent God is transferring its spirit into the two world trees, whose roots reach from the ocean floor to the surface above. One of each fruit of the world then acts as a vessel containing a portion of its power, with the trademark swirls representing the coil of the serpent, when the fruit is eaten the power changes vessels. Because the Serpent God is currently trapped in the sea, those who eat its fruit gain its same weakness and lose their energy to the sea water.

In Chapter 19, aptly titled Devil Fruit, we get our first explanation about them from a conversation between Shanks and Buggy. The Devil Fruit is enchanted by Sea Devils, and those who eat its fruit gain powers but the Sea turns against them. If you’re familiar with Attack on Titan think of this like the Curse of Ymir - because she lived 13 years no titan holding her power can live longer. Similar concept - You inherit the source’s weakness as well as its power.

Finally, my belief that it is “trapped” in the Red Line comes from the Apep/Apophis story I mentioned before in relation to Alabasta. Perhaps even more glaringly obvious than the Elbaf-Norse connection is Alabasta’s Egyptian influence. Everything from the climate, the architecture, and even the Nefertari name being based on real Egyptian royalty.

Here is a summary of the Apep/Apophis myth from wikipedia (emphasis mine):

Storytellers said that every day Apep must lie below the horizon and not persist in the mortal kingdom. This appropriately made him a part of the underworld. In some stories, Apep waited for Ra in a western mountain called Bakhu, where the sun set, and in others, Apep lurked just before dawn, in the Tenth region of the Night. The wide range of Apep's possible locations gained him the title World-Encircler. It was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the previous chief god overthrown by Ra, or because he was evil and had been imprisoned.

Earlier I likened the world serpent Jorgamundr to the Red Line, which snakes around the world and connects to itself. Apep of Egyptian folklore also has a “world encircler” title, and lies in wait in a mountain westward of Egypt just before dawn in what is called the tenth region of night.

Here is a map of the One Piece world. What mountain lies directly west of Alabasta, that has 10 arches at its entrance with serpents engraved on them, and is also part of The Red Line, the structure that encircles the entire world?

I believe that Oda has built up a Sea God within the background of his story from the very moment we entered the grand line. But just as his story takes inspiration from many different cultures, this “Sea God'' is also the amalgamation of many World Serpent stories that exist within the mythos of our own cultures that he used as inspiration for One Piece. The key to understanding the truth is to take into account the perspective of everyone, which is what I am hoping to build within this post.

Before we get to how and why the Sea God got trapped we need to take a closer look at one other perspective, the "Gods" who are in charge now - The Celestial Dragons.

The Celestial Dragons and the Rejection of the Serpent



An all powerful tree, Adam and Eve, the Snake, Devil Fruit, a ship called Noah, it's clear at this point that there’s a bit of biblical inspiration in the story as well, especially as it pertains to the Celestial Dragons, the self proclaimed “Gods” of the world.



The concept of “Devil” or “God” is simply a matter of perspective. A “Devil Fruit” could just as well be called a “God Fruit” given the powers it grants. For example, that's how it’s perceived in Skypiea where the powers are much more rare and they are outside the influence of the WG. Similarly, the snake was once revered as an all powerful God in their isolated civilization, and is still called a God today.



I think this scene from Chapter 289 titled “Full Moon” of Kalgara killing the snake to save Noland under the full moon is an interesting microcosm of this dynamic.



At face value the Shandians look like savages while Noland and his crew represent progress and truth. Ironically, the Shandians are the ones who are preserving the truth of the world (protecting the poneglyph), despite not knowing what that truth is themselves. So who is to say that the snake isn't just a snake and the belief it’s a God stems from something real. Same thing with their belief that their ancestors' souls return to trees, isn’t that suspiciously similar to a DF user’s power returning to fruit after death? Noland’s idea of truth is only what Mary Geoise dictates, he needs permission from them to even enter the Grand Line. So while he may represent scientific progress, perhaps there is also truth within the Shandians culture.



This is where Doflamingo’s speech at Marineford becomes relevant.



It is the World Government who were the victors so they wrote history, we are viewing the world through their lens. They installed themselves as the “Gods” of the world, and branded their enemies, the D, as “Devils.” The same is true of the Sea God, it became the “Sea Devil” and its powers were named “Devil Fruits.” However, unlike other cultures of the world who share a reverence, they reject it completely.


Notice how despite having access to rare Devil Fruits we haven’t seen a single Celestial Dragon eat one. In fact the only two Celestial Dragons with powers are those who got them after their titles were revoked - Doflamingo and Rosinante.
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Celestial Dragons even treat Devil Fruit as lesser in a way. They fed Hancock and her sisters the snake fruits and the mero mero (a fruit inspired by snake mythology - the gorgon) as slaves for entertainment purposes. If this story of the World Government conquering the Sea God is true, the symbolism of them giving serpent based DF to slaves as entertainment has some layers.

Perhaps a coincidence, but as noted before the leader of the sole family they refer to as “traitors” is even named after a snake as well - Cobra.
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The Celestial Dragons’ power is predicated on the myth that they are by nature above everyone else, “Gods” of the world.
 
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They are egregiously ruthless and elitist, they even wear astronaut suits to avoid breathing the same air as commoners, implying that they exist in a world above them. However one look at them will tell you they are not “Gods” but are merely playing the part in order to hold their power.

So while the truth may have eroded over time and is also being actively hidden, a look at the shared symbols among cultures in One Piece may help us figure it out, and I think it’s this:

No one in the world of One Piece is native to “The Blue Planet” aside from the Fishmen (ironically the race most discriminated against). Everyone comes from the moon(s), the sky people were simply the last to use up the resources on their moon and make the trip to the abundant Blue Planet. The Celestial Dragons were able to come out victorious in a great conflict centuries ago and hide the truth. They egregiously act superior to everyone and the irony is that they along with everyone else are all the same - not native to this world, it belongs to none of them. The Skypiea arc is a fabulous example of this. Enel is claiming land the Skypieans lived on for centuries, who took it from the Shandians when it landed in the sky, and they settled on it when they came from the moon. The world belongs to no human.

The Blue Planet originally belonged to the beings of the Blue Sea. This includes the Fishmen, the Sea Kings, other great beasts like Zunesha and perhaps the Ancient Giants, and one last being that ruled over all, the subject of much of this post - the Sea God (known as the “Sea Devil” today due to the WG). The original ruler of the seas, a serpent of legends so powerful that it wasn’t just a mere “island eater” but could devour whole celestial bodies, much like the serpent you could see emerging from the water in the carvings on the Moon.

Again, think of this Sea God as somthing analogous to “World Serpents” or “Cosmic Serpents” that exist within the mythos of our own cultures. The likes of Ouroboros, Jörmungandr, Shesha, Vritra, Quetzalcoatl, Apophis and more. Not “Gods” like the Celestial Dragons but an actual God - a being actually suited to rule over a planet that is primarily water.

Think of this in the context of Enel’s speech as he reveals his plan. He claims there is a place for everyone, including the belief that the Moon was “his” place and it turns out...he was right. It wasn't his place because he was a god, but it was where his people came from. A planet of primarily water is meant to be ruled by a god of the seas.














Lastly, you might have noticed that this whole section is about the current regime’s rejection of the serpent but earlier I made the comparison of Im/Imu to the Canaanite Sea God Ym who is also represented by the serpent.) This is because just as the Celestial Dragons are merely playing “Gods” Im/Imu is also playing a part.















If my theorized “Sea God” has powers that manifest in the form of Devil Fruit, powers as abstract as Gravity and Time, should it not have a “Sea'' devil fruit - the domain it reigns over? I believe that Im/Imu is the holder of the Umi Umi no Mi - the Sea Sea Fruit, the Sea God’s greatest power. In order to stop it from ever leaving their grasps, Imu is kept alive by the Ope Ope no Mi and remains in Pangaea castle - the polar opposite of Reverse Mountain.















In the Canaanite folklore, Ym’s enemy is Hadad, the God of weather/storms whose weapon is a thunderbolt, this is represented by Monkey D. Dragon, who is alluded to having these same powers in Loguetown when he let’s Luffy begin his journey to enter the Grand Line via Reverse Mountain.















So while the whole truth may have eroded over time, vestiges of the great serpent’s existence remain all throughout the cultures of the world, to varying degrees and in different forms. It is by exploring all of these together that I believe we can find an answer.















Now let’s explore the conflict that got us to this point.















The Great Conflict















At the beginning of the post, I mentioned that the Strawhat’s conversation with Rayleigh implied that The One Piece could be interpreted in different ways, as he encouraged them to come to their own answer which may be different than their own. Him and Luffy then have what I believe to be some of the most important dialogue in the series:































“Do you think you can conquer such powerful oceans?” “I’m not going to conquer anything. The one who is the most free is the Pirate King!”































We see Roger say something very similar in Chapter 0 when talking to Shiki.















































This is what I believe to be the fundamental source of the great conflict in the past.































With the people of the last moon moved to the Blue Planet, there was no one left to protect the moon from “The Sea God.” If you recall from the Bakunawa story, the people used music to lull the serpent asleep and stop it from eating the last moon. The sky people, who came from the last moon, had a giant bell that played beautiful “music” (which their snake “God” loved) another parallel from the story to consider.







After all, it is the gravitational pull of the moon that keeps the tides in stable condition and the planet in place. Without the moon’s presence the tilt of the planet would vary wildly, leading to extreme variances in weather.



It’s actually really interesting to explore this concept within the context of the Grand Line

  • Are the islands of the Grand Line remnants of the past moons and that's why they give off weird magnetic fields and make them hard to navigate?


  • Do we already see the disrupting effects of the missing moons in the grand line? I.e. is the reason it's a single line of islands with extreme variations in weather that wraps around the world because it follows the single orbit of the last moon?








I believe there were conflicting approaches on how to handle this vulnerability with one moon remaining:







  • You either find a way to conquer the Sea God so that you can live without worry - this side is represented by the 20 kings who became the WG


  • You find a way to live alongside the Sea God freely - this side is represented by the protectors of the Poneglyphs and is reflected in the attitudes of Roger and Luffy in the present day








It's a story as old as man itself. Man discovers a new place, they either conquer it for themselves or learn to live within its boundaries. Now to explore these differing philosophies.















The 20 Kings and the Ancient Weapons:















The 20 kings who originally founded the World Government decided that living with The Sea God was too big of a threat. If the Sea God destroyed the last moon the environment would become too chaotic for any of the non-natives of The Blue Planet to survive in. This side eventually won, and The Sea God is sealed in what is now known as The Red Line. Fearing the possibility of it ever being set free they tried to erase all traces of history and installed themselves as the “Gods” of the world, and it eventually became a faceless legend known as “The Sea Devil”.















The big question is how was the Sea Devil sealed away and the most likely way would be from the use of some or all of the Ancient Weapons.















The names of the weapons, Pluton (Underworld), Poseidon (Seas), and Uranus (Heavens) implies a full mastery of the environment. When used in conjunction I imagine they can literally re-shape the world as fit, which is how I believe the Red Line came to exist. So what exactly are these weapons?















Poseidon:















We already have a pretty good scope of Poseidon’s powers. Every few hundred years the sovereign queen of the Sea Kings is reborn in a mermaid who has the power to command them. It is said their power could bring destruction to the world. It currently exists within Shirahoshi, and ~800 years ago it was also active in a previous mermaid. Due to their relationship with Joy Boy I think it's safe to assume Poseidon was always on the “D” side.















Pluton:















Pluton is shrouded in a bit more mystery. However, we’ve got a few details about it:






















Given what we know, I believe Pluton is a ship that can dig/drill/burrow underground. It’s destructive potential being it could literally sink islands from below, fitting for a ship that bears the name of the Underworld.















The possibility of drilling under the planet has actually been explored in One Piece. During the Water 7 arc when we learn of Pluton’s potential, the cover story that runs right before it, Gedatsu’s Accidental Blue Sea Life, involves Gedatsu digging a hole underneath the Earth from a hot spring island that connected to none other than...Alabasta, home of Pluton (full story).















We have seen ships able to travel in all other mediums:

  • On the Sea


  • In the sky (Arc Maxim, Sunny kind of)








In Space (Arc Maxim and Space Pirates on the Moon)







* On land (Bege’s ship)







* Under the sea















So why can’t a ship that bears the name of the god of the underworld not be able to travel underground? Every other possibility has been explored within the story. I think blueprints that shocked even the likes of Franky, who spent his life building battleships and built a ship that shoots through the damn sky, could contain something like this.















We know Poseidon belonged on the side of the “D” 800 years ago, so what about Pluton? It’s current location seems to be housed in Alabasta who have dedicated themselves to protecting it. And as we know, Alabasta was one of the 20 nations of the past that formed the World Government. However, for some reason they refused to relocate to Mary Geoise and stayed on the surface and are now known as “traitors”. In the past I believe Pluton was a weapon in the hands of the 20 kings, and much to their dislike Alabasta kept it with them for reasons unknown.















Something happened in the past to make Alabasta keep the weapon out of anyone’s hands. It is in the present time that they are now allied with their enemy of the past.























Uranus:















Unlike Pluton we have hardly an inkling of information when it comes to Uranus’ identity. Our biggest clue resides in its name which implies some sort of mastery of the heavens or sky.















Despite our lack of information regarding this weapon, I found a good theory what it may be and it's right….here.















The Ancient Weapon Uranus, named after the skies, will be a beast that is heavily inspired by the Roc.) The Roc is a legendary bird of middle eastern mythology, making notable appearances in the famous 1001 Nights - a collection of stories from the Islamic Golden Age. Among them is Sinbad the Sailor who features the Roc prominently in a couple of his voyages at sea.














In the two stories that the Roc appears in, the second and fifth voyages of Sinbad, there are two very different outcomes due to decisions made:







  • In the Second Voyage, Sinbad while traveling alone comes across a giant egg that he mistakes for a dome. He surveys the egg and decides not to mess with it waiting nearby. When the Roc returns to the egg, he straps himself to the Roc’s foot and escapes the deserted island.








* In the Fifth Voyage, Sinbad waits aboard the ship while some merchants explore the beach. They find a massive Roc egg which they proceed to crack open and eat the baby Roc inside. Sinbad stumbles upon this sight in horror and has them flee immediately as he knows the power of the Roc. While on the sea, the Roc takes vengeance by dropping boulders from above and destroying their ship.















Additionally, the natural enemy of the Roc is the Serpent, making it fit as a “weapon” to combat the serpent. Most recently, you might have recognized it from the attack Luffy uses against Kaido in the closing panel of Chapter 1000.















Another prominent detail regarding the Roc’s size is that it can pick up an elephant with its talons. I predict that the size and scope of Uranus will be shown by Zunesha, a massive elephant, being dwarfed by this monstrous bird. So where is it now?















The story of the bird vs serpent is one of the most ubiquitous symbols in the world. Finding itself in many folk stories and mythology (such as both the Nidhogg and Apep stories from before). Revisiting the Norse picture earlier I made note of the giant eagle that lives in the branches of Yggdrasil who fights the serpent in a battle that represents balance.















We saw a massive tree on Elbaf that seems to draw parallels to Yggdrasil, with its trunk rising over the peaks of mountains. The egg that Roger’s crew was carrying is now there, living among the branches of the biggest tree in the world.















Finally, I believe this is the Ancient Weapon that Shiki is referencing when trying to ally with Roger. We already know that Poseidon was a decade away from being born. And there is no indication that Roger had any knowledge of Pluton. While he did know Tom, the weapon's blueprints were still a secret at that point. This would also nicely tie in with the fact that Shiki is trying to build an army of absolutely massive beasts in order to rule, the Ancient Weapon he is looking for will be a beast as well, bigger than anything we’ve ever seen or that he can create.















When Nami explains the structure of the Red Line, she says that it is a massive structure that is just many interlocking islands together. How did this come to be? I think during the great conflict of the past the power of these weapons were used to create the Red Line and reshaped the world, with the Sea Devil trapped within (like the Apep/Apophis story). The Red Line then runs around the world and through the two world trees. The sea devil remains alive by biting into the roots of one of these trees (like in the story of Nidhogg) which sustains it while it is paralyzed. When this happened, the serpent’s power transferred through the trees and was birthed in fruit bore all over the world. Eating these fruits then grants you the power of the serpent but also its weakness, the fact that it's paralyzed within the water currently.

There is evidence in the series that The Red Line has not always been there and is an unnatural structure. The biggest clue coming from the whales the Straw Hat crew sees when they exit Fishmen Island. They have scars on their head from running into the red line repeatedly, suggesting they used this as a migration path, something ingrained into them from centuries past, as whales long migrations are one of their most notable characteristics.







In Oden’s flashback, on the way into Fishman with Roger, the Sea Kings are getting restless as Shirahoshi is about to be born. They remark that with the birth of Shirahoshi and “another in a distant sea” the whales in particular will be delighted, perhaps because this signals the removal of the Red Line and their migration path returns.







Additionally, the name of the castle on top of the Red Line is called Pangaea Castle - named after Pangaea, the once supercontinent of the world before it drifted apart. Again, the Red Line is just *interlocked islands*.







I believe the “natural state” of the One Piece world is the opposite of its current configuration. The Red Line is actually supposed to be many smaller islands spread apart, and travel between them is uninhibited. This is the desired world of the World Government’s enemies - the D.















The Ancient Alliance and the meaning of “D”







The other side of the conflict was the D clan and their allies. These are the people who are known to protect poneglyphs. The Shandians, The Minks, the Kozuki, and the fishmen. This side saw things differently. Instead of conquering The Sea God they believed they could build a world where everyone, including the Sea God, lived freely.







It is this side who has individuals that have demonstrated that they can communicate and live with the great creatures of the world on varying levels:



  • The fishmen have Poseiden whose power lets them communicate with Sea King
  • The Minks live with and respect Zunesha, who has also shown a mutual concern for them
  • Members of the D clan (Luffy and Roger) have shown an ability to hear these creatures.
  • Kozuki Oden could also hear these creatures and his son goes a step further and can even command Zunesha



I believe it is this side that aimed to live among the native beings of the world. Instead of conquering their world like the 20 kings did in fear of their power, they wanted to find a way to freely live together and also keep the moon safe.







It is in the present day that we see all of these same factions who place importance on the moon are allying once again in our current Pirate-Mink-Ninja-Samurai alliance:






Wait...what?







The D is not a D.







Instead it is a symbol that goes beyond any language, something recognized and shared by all, the moon they all share.







It has never made sense to me that the "D" represents a word and only the first letter of the word survived. Rather, it's been shown that the D belongs to more than one race of people so it simply isn't a family name. Much like how the ruling families of Wano all have the moon kanji within their name, the mink gain ancestral power from the moon, the D is a symbol for the moon.







Even within our own languages the D is always written as such, even if “D” doesn’t exist in the written language. Instead of it being a word, think of it instead as a symbol that can be recognized universally and not constrained by the barrier of language.







I believe the people of the D sought to create a kingdom that was inclusive of all species, instead of conquering the world they sought to make it a place free for everyone, including the Sea God, as this planet is its home. This ideal is carried on today by the likes of Luffy and Roger, and that threatens the World Government.







Before Professor Clover was killed, in talking about the Great Kingdom that has been erased its implied just its existence and the ideals of its people are a threat to the World Government. I think it's because their ideal was to unify and create a free world, with their kingdom being welcoming of any and all.







They united under a symbol that is shared by all of them, the Moon. They, along with their allies sought to bring everyone together and create a truly free world.







The trademark smile before death isn’t reserved to just the D, but all of those in the alliance that seek to push toward true freedom. We’re all aware of the D’s who showed smiles in the face of death (Roger, Luffy, Law, Ace, Rouge, Saul), but the same has been true of the Wano daimyo families that also contain the moon in their name (Kozuki Oden, Shimotsuki Yasuie, Kozuki/Amatsuki Toki) and then among the Minks, Pedro who wanted to bring the dawn also grins before his death.







They all come from away and live under the same moon and their alliance represents the full lunar cycle. The half moon in particular representing balance.







Now back to the party...







Joy Boy in particular was a member or leader of this kingdom and was a Luffy/Roger type who wanted to see the world and loved having a good time. His idea of bringing everyone together in union was much like Luffy and Roger’s - in the form of a feast/party.







And so that's what he did! Joy Boy traveled the world in an attempt to unite people in their cause. It took him all over the world - Shandia, Zou, Wano and down to Fishman Island who had never been on the surface before. There he made a promise with the mermaid princess to bring them up to the surface in their united world, a promise that is mirrored today by Luffy promising to walk with Shirahoshi on the surface. In return they constructed Noah, a ship that was to both bring them up to the world and one other purpose...it was a party vessel. Biblically, Noah’s Ark was made to bring a couple animals of every species to the new world after the flood. Noah in One Piece was meant to go around the world and bring people from everywhere to this party to celebrate their union and the birth of a new world. A world where they all together find a way to live together in peace and among the native beasts of the Blue Planet.







It is my belief that this “party for all” will be the opposite of The Reverie, who’s “round table” is at the mercy of the few and powerful. Although The Reverie is supposed to represent the interests of the world we know that is not the case.






I believe that Joy Boy’s feast was a true Round Table, with a spot for anyone in the world, all celebrating on equal standing with each other. In stark contrast to what is in place now, which is a “round table” of those who can afford to be there who are then also further controlled by someone in the shadows.







It is also at the Reverie where we see Imu walk into a great vault where there is a giant sized Straw Hat, which is commonly theorized to have once belonged to Joy Boy which I agree with. I think the character of Joy Boy has/will have two primary inspirations:






King Joyoboyo was a ruler of Java, an island of Indonesia, many centuries ago. I think Oda chose Joyoboyo for two reasons:







First, Indonesia is a nation made of literally thousands of islands - the most of any country in the world. If the idea of all the islands living in peace together is true, it would make sense to base Joyboy off a historical figure of the biggest island nation.







Secondly, Joyoboyo was famous for his prophecies, most notably the following(taken from the wiki link above):







The Javanese would be ruled by whites for 3 centuries and by yellow dwarfs for the life span of a maize plant prior to the return of the Ratu Adil: whose name must contain at least one syllable of the Javanese Noto Negoro.







When Japan occupied the Netherlands East Indies, in the first weeks of 1942, many Indonesians danced in the streets, welcoming the Japanese army as the fulfillment of the prophecy ascribed to Joyoboyo, who foretold the day when white men would one day establish their rule on Java and oppress the people for many years – but they would be driven out by the arrival of yellow men from the north. These yellow dwarves, Joyoboyo had predicted, would remain for one crop cycle (3 1/2 months, which translated as 3 1/2 years of Japanese occupation), and after that Java would be freed from foreign domination. To most of the Javanese, Japan was a liberator: the prophecy had been fulfilled.







The parallel here being the prophecy of Luffy bringing the new age and collapsing the rule of the World Government centuries later.







Speaking of prophecies, let's recall the very first time we learned of Joy Boy, it was in Fishman Island which had a very important prophecy as well: Shyarly predicted Luffy would bring destruction to Fishman Island.







So Joyboy is based on Joyoboyo who predicted a savior, and Shyarly predicts our hero will be a destroyer. Both of these things are true. It is not the island Luffy will bring destruction to but the Red Line above them when the world is returned to its “natural state”, destroying Fishman Island along with it and Noah will be used to help pull everyone away safely to the surface where they will live with the rest of the world.







Since Nika is indeed a Giant, and Joy Boy is indeed a and is also going to be inspired by Norse Mythology, then I believe Joyboy, or more precisely, Nika, is based off of Odin.







Odin is The legend of Norse mythology and was known for his single eye - which he willingly took from himself in order to drink from the Draught of Knowledge. If you haven’t noticed, despite this being a series about pirates not a single pirate in the series has an eye patch. Oda once said (in 2007 - One Piece 10th treasures collectors book) he knew which character was going to have the Eye Patch and was excited to draw them, and they come toward the end of the story.







(In fact, I have found it hard to find this translated in full, but here is a post from 2007 on the AP forums when it came out)







I believe this character will be Joy Boy, the giant inspired by Odin who had one eye. Joy Boy, the person whose will has been inherited for centuries will be the quintessential pirate and will wear an eye patch. He was a pirate before there were pirates, a free spirit of the seas who wanted to travel and celebrate with the world.







(And if you want to talk of inherited will, let me remind you Luffy also willingly almost took his eye in the opening pages of the first chapter of the series - much like Odin.)







And so this will has been passed down, from Joy Boy, to Roger and now to Luffy, with many people in between.







Let us recall that very first time we learn of the “Will of D” from Kureha, it immediately segues into our crew sailing beneath the full moon and partying. I truly believe this is a metaphor, the will of freedom under the moon they all share.







So where the heck was this party supposed to take place anyway?















The All Blue







Finally, we cannot have a massive world uniting party without the best food in the world to accompany the world’s best brew. After all, our future pirate king LOVES his meat. Joy Boy knew the perfect place for his party and it was in the middle of the legendary All Blue - the sea of legends that would have the best food in the world.










The All Blue is pretty much a mystery as we know very few things about it:






Previously I mentioned that the Red Line is not a natural structure and that it could be reshaped. I think the All Blue exists when the world returns to its natural state of a single ocean. It is at the spot where they currently all collide where the All Blue is meant to exist. When the barrier between them is removed, it’ll be created again.







The One Piece Treasure, All Blue, Binks Sake, the source of the Devil Fruit "curse", all of these legendary stories are actually located in the same place, somewhere no one has thought to “dig”







X marks the spot, the location of the treasure







The biggest trope when looking for famed treasure is the classic dotted line leading to the X, which marks the spot of the treasure at which point you would normally dig and find the buried treasure.







In One Piece terms, the dotted line you follow is the log pose path you choose at the start of the journey.







And the X is the giant X that is right under our noses on the world map...Reverse Mountain.







I believe the final island and the One Piece treasure is located either inside or beneath Reverse Mountain. Just as you must navigate the currents at the entrance of the grand line to climb up the mountain and spit you out at the entrance, I believe when you reach the end, you need to “dig” under the X. In this case, dive down to the depths of the ocean where you perhaps have to take a current or something even more extreme like a Whitestrom that takes you inside or under Reverse Mountain.
Post automatically merged:

Why I believe this to be true:

In Oden’s flashback Roger describes his journey to Whitebeard and Oden in this panel. He reaches the last known island and realizes it is indeed not the last island. The log pose went haywire and he realized the four road poneglyphs will reveal the location of the true final island, these two details are very important.

 
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#8
The long read was worth it.

Well written and very interesting.
Sounds plausible to me.
I wonder how many chapters it will take to reveal this / confirm your theory (theories).
I guess One Piece won't end in the next few years with all these mysteries to be solved.
😁

Man, I love Lore Piece.
 
#9
The long read was worth it.

Well written and very interesting.
Sounds plausible to me.
I wonder how many chapters it will take to reveal this / confirm your theory (theories).
I guess One Piece won't end in the next few years with all these mysteries to be solved.
😁

Man, I love Lore Piece.
Thanks for reading. I'm glad you thought it was a good read. There's a little more left, though. It's a somewhat long read, but I'm sure if you read this far, you won't mind.

Continue here: https://worstgen.alwaysdata.net/for...ainder-of-the-theory-part-3-conclusion.56450/
 
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