General & Others Oda Isn’t a Good Writer According to Pixar

There is a big mistake. Let's say Pixar writes a story. Fine. But you can't compare it to One Piece.

One piece is an Epic, more precisely a Fantasy Epic in Manga format. You can't compare it to Pixar's philosophy of writing a 2 hour animation movie story.

Btw every creative should stick to no rules. Do your own thing.
Post automatically merged:

There is a big mistake. Let's say Pixar writes a story. Fine. But you can't compare it to One Piece.

One piece is an Epic, more precisely a Fantasy Epic in Manga format. You can't compare it to Pixar's philosophy of writing a 2 hour animation movie story.

That's pretty nonsense in my opinion.
 
But he did admit he didn't know the ending of WCI nor Wano. So wtf are you talking about?
Where does it state that he didnt know the ending for WCI, let alone Wano?
Post automatically merged:

Lets use Wano arc on its own to see if a Pixar formula really adds much depth
You admire a character for trying more than for their successes.
Oden, Daimyos Scabbards, Rooftop SN, Yamato
Keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
Pretty vague and implies a writer must bend over and pander to a wider audience than write the stories they want for the sake of mass appeal. Regardless this rule is applied for Pixar because they have a larger crew size in making their materials (including multiple writers, animators, producers, executives, etc.) and writers have to confine to those boundaries.
Trying for theme is important, however you won’t see what the story is actually about until you’re at the end of that story. Now rewrite.
Too bad Oda doesn't get that luxury because hes a weekly mangaka author. Either way the theme of Wano is the theme of OP as a whole. Inherited will, aspiring for dreams, and the concept of freedom. This time explored through the subsidiary theme of loyalty and how that can be inherited and maintained throughout generations.
Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
The entirety of act one of Wano. It explores what wano is like in its current situation and luffy interference lead to a spiriling of events that got us to where we are now.
Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
This is true that wano arc lacks simplifying around the onigashima section, but this is something that was an inevitability given all the build up prior to landing Wano.
What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
Luffy punch good. Kaido body better so luffys punch bad. Luffy deals by finding better technique to punch better and gets rewarded for good nature. Its simple but thats what our lord and savior pixar desire do they not?
Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
Oda definitely has the ending down by the time Wano arc started. Its the inbetweens that may be something he didnt have forsight over
Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
Seems more like advice for the critics of the arc than Oda himself as he will move on and finish up the story of the series as a whole after this.
When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
Out of 120+ chapters of this arc most of these situations have had both set up in the arc itself and prior to it.
Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
And if oda likes gags?
Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
Good thing Oda doesn't really hold back in terms of ideas in his head
Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
Whatever the hell this means
Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
Arguably the whole dynamic between Ashura Doji and Shinobou in the second act. Theres also Law and Kid to take into consideration despite having the same goals. Even then what if that opposing opinion is just posion to the audience instead because its just feels forced?
Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
Its the culmination of years of arcs and the series worldbuilding before the endgame. Odas able to put japan in his setting and fit japans history of isolation into his larger narrative for the series.
If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
Pretty much the same felling as this

What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
For Luffy its becoming one step closer to pirate king as Kaido has a road poneglyph. Near the end it goes deeper into him fighting for the sake of his friends he made in this arc and prior such as Kinemon. As for stakes Luffys life, whole carreer as a pirate, the entire country of wano being subjugated to the beast pirates as well as the recent events of the WG ready to take wano in its dominion.
No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
Jack. That is all
You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
Wano especially the second half is new territory for Oda as he is writing a war setting with this large amount of cast and not have it cut short like Marineford where tons of plotlines where left unresolved or not given a definitive ending besides the main one. Whether one believes it worked or not you cant say he wasn't testing new waters.
Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
And if those coincidences where established prior to their use, is that still consider cheating if the readers could have put those pieces together before they were put into use?
Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
We dont know movies Oda stated hed dislike and how he rearange them into some he does.
You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
See number 15
What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.
The essence of wano is the essence of almost all of OP arcs and that's romance (or the infatuation of mystery). Wano is written as a forefront of this ideal as their lies a deeper thematic understanding of the world its characters and narrative as a whole. By the end of Act one you understand Wanos plight its source of corruption and the protagonist plan to upheave it. By act two you get a deeper understanding of the 20 year gap and how people of wano both privileged and non skate on by in their situation, with each of the three scabbards Kin is trying to recruit represent these aspects. And act three is all those mysteries tying together and paying off.
Pixar has 22 rules of writing which they believe is necessary when they write their scripts and Oda breaks almost every rule lmfao:
This is just Wano but their are many examples pre and post ts arcs where oda follows these rules Pixar set out. As you can see Its not hard to find these in the writings of the arc if you really care about objective storytelling. And OP does have problems to its writing but those issues aren't something these rules will solve. Like most pixar films are self contained and never explore onscreen death in its plot (except that one time that old man jobbed to ballons or that cricket) yet one of the biggest critiques of the series of OP is the lack of non flashback deaths or fake outs. OP issues are more intricate that following this check list of basic storytelling will really get far in solving the unique issues of OP. This also explains why Pixar themselves are in a rut because they barely innovate for the past decade.
 
Last edited:
B

Ballel

He got threadbanned from his own thread? Oh well.

I was also going to point out that this list isn't so much for criticizing already existing works as it is a creative writing guide for new writers. Since Pixar is aimed towards kids, this writing list is also probably aimed towards kids who are interested in writing their own story.
Yeah
Ask Nat
 
is that same Tolkien hype witch king then got big meme treatment. Like losing his dragon to woman and got killed by woman who is not even powerful
Anyone who doesn't agree with me is a cult fanboy how dare they:pepeanger:
lee33 is whiny guy. I told him just leave this forums and find something to enjoy yourself like reading hellsing manga or something.
 
Pixar has 22 rules of writing which they believe is necessary when they write their scripts and Oda breaks almost every rule lmfao:
  1. You admire a character for trying more than for their successes.
  2. Keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
  3. Trying for theme is important, however you won’t see what the story is actually about until you’re at the end of that story. Now rewrite.
  4. Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
  5. Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
  6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
  7. Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
  8. Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
  9. When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
  10. Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
  11. Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
  12. Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
  13. Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
  14. Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
  15. If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
  16. What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
  17. No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
  18. You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
  19. Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
  20. Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
  21. You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
  22. What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.
While I'm the first to criticize Oda's decisions when I find them flawed, many of these rules aren't axioms for good writing but clearly coming from a studio of mass production who creates children stories good enough to be enjoyed by adults. Absolutely nothing obligates an author to follow them if their creative philosophy and working schedules are different than Pixar's.
 
Omg if yall don't have anything productive to say then get the fuck off my thread. What kind of comments are these? Childish comments. I post a thread about the rules of storying telling, hoping to get some intelligent debate about it and here we have the fanboys uniting getting sensitive.
Damn, imagine at getting actually offended for having people disagree with your post.
Pixar doesn't exactly set the absolute rules for good writing.
Oda can write whatever the hell he wants; comparing Pixar's works and OP in terms of writing is irrelevant anyway. Attempting to denounce his work because he doesn't follow some animation studio's guidelines seems a bit silly.
 
I think it is wrong to compare with Pixar's motto. Movie is very competitive industry. You need to invest tons of money, have creative and compelling story, and make sure it capture people hearts in a very short timeframe.

For One Piece, people have already invested in the story for decades and it has become part of their life. Oda and Shonen now are just milking money from them as much as possible. In fact, if Luffy has asspull and beat Big Meme and Kaido in the next chapter, most of reader will still follow the manga likes a cult. If readers just start reading OP in Wano without prior emotional connect, I am certain that they'd throw away this manga to the bin.
this i agreed 100%
one piece is like a cocaine it,s impossible to oda fanboys to let go it,s their cocaine their source of entertaiment ,thry bild to criticism n fought so hard againts critic like in trashreddit :whitepress:the money milking is too good to let go by shonen like boruto :josad:

but i also agree that you cannot compare movie with long on going manga imagine if the incredibles made a comic from 2004 into now 2021 it will ended like one pice i think ....
 
Another example of Western mindset centered opinion.

Who cares about Pixar's western mindset. Nowadays, many think that the Western worldview is the ultimate.

For a long time now, I prefer to watch Korean or other non-Western movies. I live in Europe. The Western art form always sees itself as superior, it's annoying and it's not superior.

Placing so much emphasis on Pixar's opinion and then comparing it in the context of manga as an art form is misguided.

You simply can't compare one of the biggest Fantasy Epics that is on par with for example JRR Tolkien's Lord of the Rings Book with a mere Popcorn Movie creating Studio.
 
Those 22 rules do not apply to everything. And you shouldn't rlly act like everything that Pixar released following those rules is a masterpiece.
Post automatically merged:

For a long time now, I prefer to watch Korean or other non-Western movies.
Facts, I tend to compare Jackie Chan's movies in China and the one that he did in USA to see how good the ones made in China were. Not saying that the USA movies are bad but the oriental ones are far better.
 
Top