Controversial What do you think one piece is missing?

Yoho

✌𝓣𝓱𝓮 𝓢𝓲𝓶𝓹𝓵𝓲𝓬𝓲𝓽𝔂 𝓸𝓯 𝓛𝓲𝓯𝓮✌
#1
Do you think that one piece is missing something, something to push to true goat status

I think it is i think it's missing Sea Shanties!

Whats the point of having brook join the crew if there's not gonna be sea shanties!

Imagine during each arc a new song or two drops the album sales would of been astronomical !
 
#8
Real lasting deaths rather than the fake out deatgs we get. There would be a lot less complaining from the fanbase if Pell and Pound's sacrifices had actually meant something.

More bounty hunters and bounty hunters actually being a threat to pirates, even if they were just small upstart pirate groups.
Nobody has ever walked the plank in op
I think it is i think it's missing Sea Shanties!
these are both great suggestions
 
#11
1) Massively reduced amount of fake out deaths and sacrifice scenes that get nullified only a few chapters later after milking the readers' emotions earlier on. Really drags down the overall quality of the story. Either cut the crap and leave out those bs scenes or actually man up and deal with actual consequences and let the characters stay dead.

2) Much more variety in terms of arc structures. Literally every single major arc in OP (except for two arcs, which I will touch upon in a moment) follows the same uncomplex formula:
  • strawhat crew arrives at a new island
  • SHs split up and discover that some sort of conflict is going on, meeting some friendly people (most of the time a young, beautiful princess) in that process
  • at first it appears the conflict was caused by the natural development inside the island, but some obviously bad guys appear and have a first conflict with the SHs which usually ends bad for our heroes
  • now the conflict is revealed to be set up by the main bad guy(s) through some sort of deception / misunderstanding (flashback time)
    • Bonus points if there is a scene where this whole misunderstanding is being cleared up and all the island inhabitants go ”oh nooo that guy we thought did something bad actually had a good reason for that, we are such idiots nooooo”
  • Luffy (and the SHs) beats up the main bad guy(s) in the second round which solves all issues and everyone is happy, since the whole conflict was just a misunderstanding/set up anyway
  • banquet and leaving for the next island
It's getting to the point where any halfway grown-up reader just rolls their eyes and wants to ask Oda: "Dude, really? That's all you got?" The only bigger arcs with a slightly different structure are WCI and Egghead and here Oda hilariously enough took the WCI structure and made a carbon-copy to use it for Egghead again. So he has exactly two formulas he can work with for bigger arcs. That's just really disappointing.

3) Character writing and interaction in general. Pre-skip it was actually pretty fine, post-skip has been a bloody mess though. My God has it been bad post-skip. Not a single Strawhat had any kind of significant development post-skip, neither has the dynamic between them (only exception Luffy and Sanji on WCI to a degree). Nothing at all. Some characters have actually regressed (Chopper the main culprit). When I recently read the new HxH the difference between Togashi and Oda in terms of character writing was gigantic. Togashi can give some side-characters (Borksen, Morena) more personality in three chapters than Oda did with the entirety of the SHs in the last 600+ chapters.

4) Don't try to freestyle the final part of each arc. There has been a pattern in almost all post-skip arcs: They start of decently, sometimes even great. However, once we get to the climax Oda seems to freestyle and butchers any proper pacing this way. This way the overall arc gets dragged down pretty badly. Happened on Dressrosa (50+ chapters Birdcage fiasco), happened on WCI (30+ chapters of "weeeeddiiiiinggg caaaaakeeeee"), happened on Wano (70+ chapter raid and then a very abrupt ending) and on Egghead (20+ chapters for a speech that could've been done on two pages and a 100 yard run to escape).

5) Better fighting choreography. One Piece is a battle shonen, despite some fans trying to make it more than it actually is. Its fights are rather underwhelming though. Compared to other battle shonen, the choreography could be done much better.
 
#12
since timeskip

missing strawhats
more than half didnt exist

zoro died and got replaced by Goro
Chopper became a doll
Franky and Brook aside 2 moments, forgotten
Whosoop?


Sidecharacters taking too much spotlight
some were cool, some were wanoshit

sometimes one piece feels like it needs more time, ironic
 
#14
1) Massively reduced amount of fake out deaths and sacrifice scenes that get nullified only a few chapters later after milking the readers' emotions earlier on. Really drags down the overall quality of the story. Either cut the crap and leave out those bs scenes or actually man up and deal with actual consequences and let the characters stay dead.

2) Much more variety in terms of arc structures. Literally every single major arc in OP (except for two arcs, which I will touch upon in a moment) follows the same uncomplex formula:
  • strawhat crew arrives at a new island
  • SHs split up and discover that some sort of conflict is going on, meeting some friendly people (most of the time a young, beautiful princess) in that process
  • at first it appears the conflict was caused by the natural development inside the island, but some obviously bad guys appear and have a first conflict with the SHs which usually ends bad for our heroes
  • now the conflict is revealed to be set up by the main bad guy(s) through some sort of deception / misunderstanding (flashback time)
    • Bonus points if there is a scene where this whole misunderstanding is being cleared up and all the island inhabitants go ”oh nooo that guy we thought did something bad actually had a good reason for that, we are such idiots nooooo”
  • Luffy (and the SHs) beats up the main bad guy(s) in the second round which solves all issues and everyone is happy, since the whole conflict was just a misunderstanding/set up anyway
  • banquet and leaving for the next island
It's getting to the point where any halfway grown-up reader just rolls their eyes and wants to ask Oda: "Dude, really? That's all you got?" The only bigger arcs with a slightly different structure are WCI and Egghead and here Oda hilariously enough took the WCI structure and made a carbon-copy to use it for Egghead again. So he has exactly two formulas he can work with for bigger arcs. That's just really disappointing.

3) Character writing and interaction in general. Pre-skip it was actually pretty fine, post-skip has been a bloody mess though. My God has it been bad post-skip. Not a single Strawhat had any kind of significant development post-skip, neither has the dynamic between them (only exception Luffy and Sanji on WCI to a degree). Nothing at all. Some characters have actually regressed (Chopper the main culprit). When I recently read the new HxH the difference between Togashi and Oda in terms of character writing was gigantic. Togashi can give some side-characters (Borksen, Morena) more personality in three chapters than Oda did with the entirety of the SHs in the last 600+ chapters.

4) Don't try to freestyle the final part of each arc. There has been a pattern in almost all post-skip arcs: They start of decently, sometimes even great. However, once we get to the climax Oda seems to freestyle and butchers any proper pacing this way. This way the overall arc gets dragged down pretty badly. Happened on Dressrosa (50+ chapters Birdcage fiasco), happened on WCI (30+ chapters of "weeeeddiiiiinggg caaaaakeeeee"), happened on Wano (70+ chapter raid and then a very abrupt ending) and on Egghead (20+ chapters for a speech that could've been done on two pages and a 100 yard run to escape).

5) Better fighting choreography. One Piece is a battle shonen, despite some fans trying to make it more than it actually is. Its fights are rather underwhelming though. Compared to other battle shonen, the choreography could be done much better.
Regarding your second Point:Not all arcs Are the Same for example Amazon Lily and marineford
 
#15
Regarding your second Point:Not all arcs Are the Same for example Amazon Lily and marineford
Amazon Lily doesn't qualify as "major arc". That's why I specifically said "major arcs" (Alabasta, Skypiea, Water7/Enies Lobby, Thriller Bark, Fishmen Island, Punk Hazard, Dressrosa, WCI, Wano, Egghead).

Amazon Lily was a short bridge arc like Little Garden or Jaya.

Marineford was the climax of the first half of the series. Granted, it was different, but that wasn't a regular OP arc. It was a "war arc". If you want to, we can say that Oda has three blueprints ready. What an improvement in variety!
 
#17
Amazon Lily doesn't qualify as "major arc". That's why I specifically said "major arcs" (Alabasta, Skypiea, Water7/Enies Lobby, Thriller Bark, Fishmen Island, Punk Hazard, Dressrosa, WCI, Wano, Egghead).

Amazon Lily was a short bridge arc like Little Garden or Jaya.

Marineford was the climax of the first half of the series. Granted, it was different, but that wasn't a regular OP arc. It was a "war arc". If you want to, we can say that Oda has three blueprints ready. What an improvement in variety!
I mentioned Amazon Lilly bc the MC had to Deal with being in an unknown Territory and the loss of his crew
 
#19
1) Massively reduced amount of fake out deaths and sacrifice scenes that get nullified only a few chapters later after milking the readers' emotions earlier on. Really drags down the overall quality of the story. Either cut the crap and leave out those bs scenes or actually man up and deal with actual consequences and let the characters stay dead.

2) Much more variety in terms of arc structures. Literally every single major arc in OP (except for two arcs, which I will touch upon in a moment) follows the same uncomplex formula:
  • strawhat crew arrives at a new island
  • SHs split up and discover that some sort of conflict is going on, meeting some friendly people (most of the time a young, beautiful princess) in that process
  • at first it appears the conflict was caused by the natural development inside the island, but some obviously bad guys appear and have a first conflict with the SHs which usually ends bad for our heroes
  • now the conflict is revealed to be set up by the main bad guy(s) through some sort of deception / misunderstanding (flashback time)
    • Bonus points if there is a scene where this whole misunderstanding is being cleared up and all the island inhabitants go ”oh nooo that guy we thought did something bad actually had a good reason for that, we are such idiots nooooo”
  • Luffy (and the SHs) beats up the main bad guy(s) in the second round which solves all issues and everyone is happy, since the whole conflict was just a misunderstanding/set up anyway
  • banquet and leaving for the next island
It's getting to the point where any halfway grown-up reader just rolls their eyes and wants to ask Oda: "Dude, really? That's all you got?" The only bigger arcs with a slightly different structure are WCI and Egghead and here Oda hilariously enough took the WCI structure and made a carbon-copy to use it for Egghead again. So he has exactly two formulas he can work with for bigger arcs. That's just really disappointing.

3) Character writing and interaction in general. Pre-skip it was actually pretty fine, post-skip has been a bloody mess though. My God has it been bad post-skip. Not a single Strawhat had any kind of significant development post-skip, neither has the dynamic between them (only exception Luffy and Sanji on WCI to a degree). Nothing at all. Some characters have actually regressed (Chopper the main culprit). When I recently read the new HxH the difference between Togashi and Oda in terms of character writing was gigantic. Togashi can give some side-characters (Borksen, Morena) more personality in three chapters than Oda did with the entirety of the SHs in the last 600+ chapters.

4) Don't try to freestyle the final part of each arc. There has been a pattern in almost all post-skip arcs: They start of decently, sometimes even great. However, once we get to the climax Oda seems to freestyle and butchers any proper pacing this way. This way the overall arc gets dragged down pretty badly. Happened on Dressrosa (50+ chapters Birdcage fiasco), happened on WCI (30+ chapters of "weeeeddiiiiinggg caaaaakeeeee"), happened on Wano (70+ chapter raid and then a very abrupt ending) and on Egghead (20+ chapters for a speech that could've been done on two pages and a 100 yard run to escape).

5) Better fighting choreography. One Piece is a battle shonen, despite some fans trying to make it more than it actually is. Its fights are rather underwhelming though. Compared to other battle shonen, the choreography could be done much better.
Lol, imagine Oda writing the Succession War arc
 
#20
Well it’s missing the One Piece that’s for sure.

Any romantic interests at all that were taken seriously. The continued perversion and stupidity from Sanji is just gross at this point. He was supposed to give up his emotions when he got those powers. Unless the ~channn~ is all some kind of act, and there may be some hints that it is like when he is shown alone with his thoughts in front of dead Vegapunk, his continued trashiness is my biggest disappointment. His character arc through WCI was incredibly interesting if not very well executed. Turns out he is still just a whack pervert who would not be allowed to participate in normal society but can kick things really hard.

Only he, Robin, and Brooke have really been developed as people since the time skip. The introduction of Jinbei is a plus also, but the fact is that most of the crew have been reduced to some throwaway lines and running gags in the time between Luffy’s fights. That really sucks. I could have done without a lot of nonsense and side characters if it meant some real character moments for the rest of the crew.

The fact Luffy is still just a dumb version of Goku who wants to be the pirate king after all this time, when there have been hints of his deep moral compass and determination to accomplish a greater dream for the world that have not been properly developed, is very sad. I grew up with this story and I am disappointed in the man Luffy has become, which is basically just a determined idiot who was handed superpowers and still had to be saved twenty+ times by his friends because he does stupid things.

Zoro is no longer interesting or funny, just cuts things.

Nami is fan service and comic relief with the occasional “ahhhh *lightning bolt*”

Franky=SUPER

Jinbei is cool but came in as a fully developed character

Usopp sucks

Chopper is annoying as hell

Honestly, I think the story would be better if he spent 100 chapters without the straw hats even appearing on screen and then came back to the crew and treated them very seriously as people who love each other and have weeks on the open ocean to care for and get to know each other. We need a break from the Goofy nonsense to explore things like the Revolutionaries and the inner workings of the celestial dragons, WG, and the void century. I would bet that if we didn’t see Luffy on page for two years we would appreciate him a lot more when we did.
 
Last edited:
Top