Spoiler One Piece Chapter 1037 Spoiler Discussion
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He looks like Shrek
Shrekdo the true Ogre
Shrekdo the true Ogre
Yamerooo Mugiwara
Kaido a clown
BB Cowardice was the ones usefull so far cause that characteristic let him fight unfair with preperations.
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kaido's club is also a df user:cheers:
Imo its because Oda want to emphasize the distance/perspective between Kaidou and his club. His club's afterimages are very close to Luffy while Kaidou himself is still far away, creating the illusion of Kaidou's club being much bigger than supposed to. But Oda kinda failed at making the perspective especially, imo he should have made Kaidou's body bigger than in this pic, so that perspective gonna be more fitting to his body size.
And oh graphically imo he shouldnt have made his kanabo having so many afterimages since it depicts straight-line and reducing the curving art lines, but instead he shouldve emphasized the curving lines more, and making the curves more numerous and thick like a hurricane surrounding his body, to emphasize explosive rotational movements to answer Luffy's straight-line barrage. Wouldve made better contrast in the gatling clash imo. Ah sorry for nitpicking
And oh graphically imo he shouldnt have made his kanabo having so many afterimages since it depicts straight-line and reducing the curving art lines, but instead he shouldve emphasized the curving lines more, and making the curves more numerous and thick like a hurricane surrounding his body, to emphasize explosive rotational movements to answer Luffy's straight-line barrage. Wouldve made better contrast in the gatling clash imo. Ah sorry for nitpicking
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Just because we know what the outcome will be doesn't mean there is no tension in the story. We all know the allies will win the war given the fact that this is a shounen and nobody expects them to fail. There's also no way anyone would expect Luffy to drown and die.
Again what you know doesn't change what it is.
Robin getting captured is a possible outcome. Onigashima exploding is a possibility as well as Kinemon dying. Marines showing up is a big problem because everyone is down and unable to fight. Even if it's just Cp0 there's a good chance that they can take over the island. Hell an Admiral would insure Wano's downfall. These are all examples of tension in a story.
Look up the definition of Tension and you will understand what it means. It has nothing to do with what you as the reader know or expect.
Again what you know doesn't change what it is.
Robin getting captured is a possible outcome. Onigashima exploding is a possibility as well as Kinemon dying. Marines showing up is a big problem because everyone is down and unable to fight. Even if it's just Cp0 there's a good chance that they can take over the island. Hell an Admiral would insure Wano's downfall. These are all examples of tension in a story.
Look up the definition of Tension and you will understand what it means. It has nothing to do with what you as the reader know or expect.
Tension is when you FEAR for the character's possible death/harm
Meanwhile Wano: Oda PLEASE kill some of them please it's a war god fucking damn it
Meanwhile Wano: Oda PLEASE kill some of them please it's a war god fucking damn it
Google definition:
Tension in a literary context is the sense that something ominous is right around the corner. Building a large amount of tension as a writer keeps your readers engaged up until the end of the story. ... Good use of tension makes a story worth reading and keeps readers guessing.
Also:
anticipation of conflict. The reader and the characters know a problem is on the horizon.
• changes that impact the novel’s characters. Changes that become more dire as the story progresses. No sooner is one obstacle conquered than another one crops up.
• a series of unexpected events or revelations. Often the events surprise the reader and the protagonist. Sometimes the reader knows about the event but the character doesn’t. This adds to reader tension.
• torment. The protagonist must suffer both internal and external agony. The obstacles your character has to face must continually increase in difficulty until he’s pushed to his absolute limits.
• secrets. Character must have needs, painful past experiences and skeletons in his closet that precipitate his reaction to events.
• dialogue. Not just idle conversation, but as Morrell puts it, “…conversation’s greatest hits.” Dialogue that is a power struggle where there is a winner and a loser.
• subtext. Unspoken thoughts, fears, anger and motives of characters—what they really think, feel and believe.
• ebbs and flows. There needs to be variations in the levels of tension throughout the story in order for readers to relax and prepare for the next jolt of stress they’ll experience.
Oda's done all this. Otherwise you wouldn't still be reading the story right now.
Google definition:
Tension in a literary context is the sense that something ominous is right around the corner. Building a large amount of tension as a writer keeps your readers engaged up until the end of the story. ... Good use of tension makes a story worth reading and keeps readers guessing.
Also:
anticipation of conflict. The reader and the characters know a problem is on the horizon.
• changes that impact the novel’s characters. Changes that become more dire as the story progresses. No sooner is one obstacle conquered than another one crops up.
• a series of unexpected events or revelations. Often the events surprise the reader and the protagonist. Sometimes the reader knows about the event but the character doesn’t. This adds to reader tension.
• torment. The protagonist must suffer both internal and external agony. The obstacles your character has to face must continually increase in difficulty until he’s pushed to his absolute limits.
• secrets. Character must have needs, painful past experiences and skeletons in his closet that precipitate his reaction to events.
• dialogue. Not just idle conversation, but as Morrell puts it, “…conversation’s greatest hits.” Dialogue that is a power struggle where there is a winner and a loser.
• subtext. Unspoken thoughts, fears, anger and motives of characters—what they really think, feel and believe.
• ebbs and flows. There needs to be variations in the levels of tension throughout the story in order for readers to relax and prepare for the next jolt of stress they’ll experience.
Oda's done this. Otherwise you wouldn't still be reading the story right now.
Tension in a literary context is the sense that something ominous is right around the corner. Building a large amount of tension as a writer keeps your readers engaged up until the end of the story. ... Good use of tension makes a story worth reading and keeps readers guessing.
Also:
anticipation of conflict. The reader and the characters know a problem is on the horizon.
• changes that impact the novel’s characters. Changes that become more dire as the story progresses. No sooner is one obstacle conquered than another one crops up.
• a series of unexpected events or revelations. Often the events surprise the reader and the protagonist. Sometimes the reader knows about the event but the character doesn’t. This adds to reader tension.
• torment. The protagonist must suffer both internal and external agony. The obstacles your character has to face must continually increase in difficulty until he’s pushed to his absolute limits.
• secrets. Character must have needs, painful past experiences and skeletons in his closet that precipitate his reaction to events.
• dialogue. Not just idle conversation, but as Morrell puts it, “…conversation’s greatest hits.” Dialogue that is a power struggle where there is a winner and a loser.
• subtext. Unspoken thoughts, fears, anger and motives of characters—what they really think, feel and believe.
• ebbs and flows. There needs to be variations in the levels of tension throughout the story in order for readers to relax and prepare for the next jolt of stress they’ll experience.
Oda's done this. Otherwise you wouldn't still be reading the story right now.
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