ONE PIECE CHAPTER 1134: THE OWL LIBRARY
- Thread starter AL sama
- Start date
LMAO, you know what is funny ?
The initial translation was so bad that I didn't even see the "progressive" language jokes until I read the chapter on TCB two minutes ago.
I was not talking about that at all when I was saying this :
But this translation actually supports exactly what I was saying. This arc is about to get politically charged for once in the casual meaning of the word and I love it. (and the fun fact is that I might not even like the political moral at the end hehe)
I can already see the political conflict and the two main antagonist that will clash here. It's gonna be fun !
The initial translation was so bad that I didn't even see the "progressive" language jokes until I read the chapter on TCB two minutes ago.
I was not talking about that at all when I was saying this :
Prepare yourself guyz. This arc seems to be on the verge of becoming highly political !
I can already see the political conflict and the two main antagonist that will clash here. It's gonna be fun !
Oda is deliberately confusing if Loki is evil or not . I am suspecting if he even killed King Harald by his convo with old man .
Oda is surely building up Loki is Good guy image but remember Loki is god of trickster so be careful if he flips 360 and ends up teaming up with Goroseis .
Shanks brother finally arrived let’s see what he schemes lol .
Oda is surely building up Loki is Good guy image but remember Loki is god of trickster so be careful if he flips 360 and ends up teaming up with Goroseis .
Shanks brother finally arrived let’s see what he schemes lol .
Yea he could side with anyone at this point but I don’t think he will be main villain considering Evil Shanks is in picture .
I would say Dressrossa was starting point where writing fell . I just think Oda is doing it too finish his deadlines than putting creativity .
The plot is overall same it’s cut copy paste in almost every arc
-Mary sue female character
- Father of the character was a noble man and died for greater good or sacrificed themselves .
- Villain of every arc will be introduced super powerful and scheming thing but ends up getting negged by Luffy in the end .
-Definitely one instance of Luffy will be talking about liberation , freedom nonsense .
Template is more or less same if you carefully read each arc . It’s interesting we don’t have Mary sue female character in this arc yet lol but Oda will definately introduce one for sure .
-Mary sue not yet introduced
- King Harald most likely will have more prominence when they start introduce his character .
- Evil Shanks or Gorosei ???
- I expect Luffy talking about liberation in Elbaf as well lol .
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I would say Dressrossa was starting point where writing fell . I just think Oda is doing it too finish his deadlines than putting creativity .
The plot is overall same it’s cut copy paste in almost every arc
-Mary sue female character
- Father of the character was a noble man and died for greater good or sacrificed themselves .
- Villain of every arc will be introduced super powerful and scheming thing but ends up getting negged by Luffy in the end .
-Definitely one instance of Luffy will be talking about liberation , freedom nonsense .
Template is more or less same if you carefully read each arc . It’s interesting we don’t have Mary sue female character in this arc yet lol but Oda will definately introduce one for sure .
-Mary sue not yet introduced
- King Harald most likely will have more prominence when they start introduce his character .
- Evil Shanks or Gorosei ???
- I expect Luffy talking about liberation in Elbaf as well lol .
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He never lets anyone of importance die (Ace and WB being the outliers and as ridiculous as it sounds at this point I wouldn't even be shocked if he somehow brought back Ace EoS).
Igaram, Pell, Pagaya, Bellamy, Franky Family, Spandam, Bon Clay, Sabo, Pound, Law, Moria, Shinokuni victims, Brownbeard, Moscato, Pekoms, Kinemon, Saul, Vegapunk, Kuma etc.
List goes on forever - each time he wrote a seemingly dramatic/climatic death scene, only to show those characters being completely fine a bit later.
I still enjoy reading it, but OP is a manga without any kind of consequences or stakes. No need to fear for anyone or anything.
Igaram, Pell, Pagaya, Bellamy, Franky Family, Spandam, Bon Clay, Sabo, Pound, Law, Moria, Shinokuni victims, Brownbeard, Moscato, Pekoms, Kinemon, Saul, Vegapunk, Kuma etc.
List goes on forever - each time he wrote a seemingly dramatic/climatic death scene, only to show those characters being completely fine a bit later.
I still enjoy reading it, but OP is a manga without any kind of consequences or stakes. No need to fear for anyone or anything.
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100% agree here.
That's why 95% of worstgen are always quite amused reading your posts.
That's why 95% of worstgen are always quite amused reading your posts.
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The most logical scenario is that he's Shanks's twin brother, but I can see "Holy Knight Shanks" being a clone Garling commissioned, so that he'd have a son that'd actually follow in his footsteps, or something like that. As for Vegapunk being gone, I don't really know what people expected. While the "Stella" a.k.a. the Dr. Vegapunk is dead and gone, he's always going to be around in some way, shape, or form (Punk Records, the Satellites, the copy of the Stella's body, etc.). Vegapunk's simply too major a character to be killed off completely; he literally holds the secrets of the One Piece world in his head. Oda would never get rid of him like that.
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There have been more deaths in the time skip than fake out deaths .
Half the list you have there were never set up to died or had a fake out death.
Kuma is the opposite of a fake out death the whole point was he over come death and VP did not know how .
That Oda slapping people in face that he not dead the issues some people only want him to over come death for certain amount of time.
Anyone that thought VP died or could not come back was not paying attention to egghead .
@LuznoLindo VP is the one character that can fully come back as the same person using a clone .
Since they can down everything from punk records back into him like the arc said what is even death to him and rest of the punks .
Half the list you have there were never set up to died or had a fake out death.
Kuma is the opposite of a fake out death the whole point was he over come death and VP did not know how .
That Oda slapping people in face that he not dead the issues some people only want him to over come death for certain amount of time.
Anyone that thought VP died or could not come back was not paying attention to egghead .
@LuznoLindo VP is the one character that can fully come back as the same person using a clone .
Since they can down everything from punk records back into him like the arc said what is even death to him and rest of the punks .
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He doesn't want to disappoint/traumatize kids reading the manga as his still target audience are still kids and young teens (despite over 90% of the current audience being adults).
That's the disappointing part with Oda - his early work (pre skip) was great, but he failed to let his manga mature alongside his audience.
Post skip is basically just pre skip 2.0 with some minor twists that most Oda fart sniffers try to sell as "brilliant two sides of the same coin writing".
The only new creative touches are his admittedly great ideas for locations and their design.
In the end you get what we have now - a lighthearted feel-good story with no real moments of tension/fear and quite a lot of repetitive writing and recycling.
It's not "bad" by any means, but it could've been so much better and many fans that didn't tie their own self-esteem to the manga (and therefore have to glorify anything Oda puts out) are disappointed bc of that.
That's the disappointing part with Oda - his early work (pre skip) was great, but he failed to let his manga mature alongside his audience.
Post skip is basically just pre skip 2.0 with some minor twists that most Oda fart sniffers try to sell as "brilliant two sides of the same coin writing".
The only new creative touches are his admittedly great ideas for locations and their design.
In the end you get what we have now - a lighthearted feel-good story with no real moments of tension/fear and quite a lot of repetitive writing and recycling.
It's not "bad" by any means, but it could've been so much better and many fans that didn't tie their own self-esteem to the manga (and therefore have to glorify anything Oda puts out) are disappointed bc of that.
