You don't get to say when a debate ends.
I didn't say anything about the panel after but about the continuity of the panels, be that both before and after the attack, and in both cases Vergo is moving the left leg in terms of approaching Sanji (before) and breaking off the clash (after). Your whole narrative about how he "put his RIGHT leg down" is irrelevant because it requires making up the off-screen events of changing the leg of the attack from left to right, then visually landing the right one and immediately after raising the left to break off the clash. Amazing visual storytelling, Oda, skipping literally half of the panels necessary to understand the events! Vergo never explicitly uses his right leg while fighting Sanji nor exists any explicit clue supporting that he used it between panels, but I'm sure Oda wants us to know that he indeed changed his leg off-screen in order to troll the cook.
I don't care about your photo of a real human being seen from a front angle because 1) Vergo isn't real, 2) Vergo is a drawing, 3) Vergo is a superhuman, 4) Oda is an artist, not an anatomist, 5) Oda isn't even the best drawer of anatomies, 6) Vergo is seen from a low angle, and 7) contextual clues support that he was using the left leg. And again, this is you against not only a whole world with perfectly viable eyes, but also two companies adapting Oda's drawing in the same way as readers perceived it in the first place —except of you, "Critical Mindset", which as times goes keeps feeling like systematic contradiction instead of actual critical skepticism.
"Bunch of low lifes being afraid of Vergo", and now I'm sure you're trolling. Good laughs!