All I am saying is what I saw Aknolagon say - it was always singular.
It's a fact it can be plural, and Aknolagon can say whatever because you have tons of other translators using plural too and understanding it referred to Zoro and Sanji as a pair.
Yes, the parallel of them attacking together is there, however, the only star that wasnt on that stage already is Zoro.
It's not about literally, physically being on the stage. It's about striking to dethrone another two actors. It's a clash of two generations of performers.
I havent seen anyone picking on Akno's translations and say they are bad.
I'm not saying they are bad, I'm saying they aren't perfect, and when you have, again, tons of translators both of One Piece and other Japanese works using "hanagata" in plural, then maybe, just maybe, there's some room for doubt.
I wish it happened in the manga since that is the source material...
So is SBS wrote by Oda, who used the exact same wording for Robin's speech.
Who is the star that returned to the stage? The one star that was protected by everyone including Marco and Sanji?
Only 1 star hasnt been on that stage due to injuries - the star that shone brightest on the rooftop.
Again, it's not about returning but starting the final fight instead of teamworks, skirmishes and such. It's from the moment that Marco, whose whole narrative is about letting the New Era shine, speaks of the young actors taking the stage that everything focuses entirely on Zoro and Sanji, as a duo, striking the well-established Lead Performers who made Marco take a step aside and pronounce the "hanagata" line; marking this the beginning or their individual, final fights.
Zoro alone has no place here, it's not about coming physically to the stage; it's about the new actors (Zoro and Sanji) taking over the old era (Marco) in order to dethrone the old actors (King and Queen). Hence why Oda's whole paneling was plural.
[automerge]1673197237[/automerge]
Star Actor/player is what the translation said. Works in this context with Zoro
And works way better in the context of the young actors taking over the new era to dethrone the old actors. Hence why the whole visual storytelling is about King and Queen and then Zoro and Sanji, not Zoro alone.
Seriously, the focus isn't Zoro but Zoro and Sanji versus King and Queen (important detail) from the moment Marco gives up against the old performers and the Straw Hats take his place. Oda can't be more obvious here.